1995
Return of Television Legends
July 03, 2010
by David Krell
david@davidkrell.com
In the 1986 song Modern Woman, Billy Joel sings, And after 1986, what else could be new?
Nothing if you consider the return of two television legends to the small screen
Their television personas were extraordinarily familiar to us.
Andy Griffith appeared as Atlanta-based attorney Ben Matlock in Matlock. The show aired on NBC from 1986 to 1992 and then switched to ABC where it aired from 1992 to 1995.
Matlock was a Harvard-educated but folksy defense attorney who had strong friendships with his staff and opposing counsel.
In the spring of 1986, Griffith reprised his hallmark role of Sheriff Andy Taylor in the NBC tv-movie Return To Mayberry. Its tremendous success, nostalgic appeal, and safe familiarity undoubtedly influenced NBC and Griffith to find a new but familiar television vehicle for him.
Simply, Matlock is Perry Mason by way of Sheriff Andy Taylor.
Former Andy Griffith Show co-stars Aneta Corsaut and Don Knotts made guest appearances on Matlock.
Unfortunately, Lucille Ball did not fare so well in the Fall of 1986.
She returned to television with the sitcom Life with Lucy on ABC. Co-starring with Ball was her familiar foil, Gale Gordon. He played her in-law. On the show, the daughter of Ball’s character was married to the son of Gordon’s character.
Life With Lucy only lasted a couple of months.
Aaron Spelling produced Life with Lucy with Douglas Cramer and E. Duke Vincent. The sitcom starring an aging but appealing legend contrasted with Spelling’s shows based in adventure, glitz, and glamour. Vega$. Charlie’s Angels. Hotel. The Love Boat. Hart to Hart.
During the mid-1980’s, nostalgia abounded. In the 1985 box office blockbuster Back to the Future, the story recaptured a slice of life in 1955, complete with fashion, music, and popular culture indicators.
Return to Mayberry recalled a simpler time when a transistor radio was the groundbreaking technology achievement for teenagers compared to the 1980’s Sony Walkman or today’s iPod.
Life with Lucy brought back the biggest comedienne of the 20th century in a pre-TGIF family sitcom.
Lucy was a grandmother in the show, not the young or middle-aged housewife or mother we remembered fondly from decades past. Was the show a mistake? Were the physical antics of a 75 year-old woman frightening rather than entertaining for the audience?
Maybe. Maybe not.
But there’s nothing wrong with bringing back a legend to recapture previous glory. The failure of Life With Lucy doesn’t make Ms. Ball’s work on the program any less significant compared to her other work on more popular shows.
She was, indeed, the same Lucy. She gave 1000 percent for her fellow castmates and the audience.
As Peter Allen once sang, Quiet please. There’s a lady on the stage. She may not be the latest rage. But she’s singing. And she means it.
david@davidkrell.com
In the 1986 song Modern Woman, Billy Joel sings, And after 1986, what else could be new?
Nothing if you consider the return of two television legends to the small screen
Their television personas were extraordinarily familiar to us.
Andy Griffith appeared as Atlanta-based attorney Ben Matlock in Matlock. The show aired on NBC from 1986 to 1992 and then switched to ABC where it aired from 1992 to 1995.
Matlock was a Harvard-educated but folksy defense attorney who had strong friendships with his staff and opposing counsel.
In the spring of 1986, Griffith reprised his hallmark role of Sheriff Andy Taylor in the NBC tv-movie Return To Mayberry. Its tremendous success, nostalgic appeal, and safe familiarity undoubtedly influenced NBC and Griffith to find a new but familiar television vehicle for him.
Simply, Matlock is Perry Mason by way of Sheriff Andy Taylor.
Former Andy Griffith Show co-stars Aneta Corsaut and Don Knotts made guest appearances on Matlock.
Unfortunately, Lucille Ball did not fare so well in the Fall of 1986.
She returned to television with the sitcom Life with Lucy on ABC. Co-starring with Ball was her familiar foil, Gale Gordon. He played her in-law. On the show, the daughter of Ball’s character was married to the son of Gordon’s character.
Life With Lucy only lasted a couple of months.
Aaron Spelling produced Life with Lucy with Douglas Cramer and E. Duke Vincent. The sitcom starring an aging but appealing legend contrasted with Spelling’s shows based in adventure, glitz, and glamour. Vega$. Charlie’s Angels. Hotel. The Love Boat. Hart to Hart.
During the mid-1980’s, nostalgia abounded. In the 1985 box office blockbuster Back to the Future, the story recaptured a slice of life in 1955, complete with fashion, music, and popular culture indicators.
Return to Mayberry recalled a simpler time when a transistor radio was the groundbreaking technology achievement for teenagers compared to the 1980’s Sony Walkman or today’s iPod.
Life with Lucy brought back the biggest comedienne of the 20th century in a pre-TGIF family sitcom.
Lucy was a grandmother in the show, not the young or middle-aged housewife or mother we remembered fondly from decades past. Was the show a mistake? Were the physical antics of a 75 year-old woman frightening rather than entertaining for the audience?
Maybe. Maybe not.
But there’s nothing wrong with bringing back a legend to recapture previous glory. The failure of Life With Lucy doesn’t make Ms. Ball’s work on the program any less significant compared to her other work on more popular shows.
She was, indeed, the same Lucy. She gave 1000 percent for her fellow castmates and the audience.
As Peter Allen once sang, Quiet please. There’s a lady on the stage. She may not be the latest rage. But she’s singing. And she means it.
Double Rush
February 18, 2010
by David Krell
david@davidkrell.com
Double Rush was a short-lived sitcom on CBS that aired from January to April 1995.
Stephen Nathan and Diane English created the show.
Its setting was familiar -- the workplace.
Cheers had the bar in Boston where everybody knows your name.
WKRP in Cincinnati had a rock and roll radio station in the Queen City.
And Double Rush had a bicycle messenger service in Manhattan named Double Rush.
The owner is would-be rock musician Johnny Verona, played by Robert Pastorelli.
Pastorelli earned the respect, laughter, and loyalty of fans of Murphy Brown as Eldin Bernecky, the house painter who constantly created new projects for Murphy’s home.
Corinne Bohrer plays the practical-minded Harvard Business School grad Zoe Fuller, a good complement and potential love interest for Johnny.
There is a dynamic between dreamer Johnny and intellectual yet unfulfilled Zoe that is reminiscent of Sam and Diane on Cheers.
Double Rush was funny. Its characters were well-defined. And its supporting cast was solid.
D.L. Hughley, Adam Goldberg, and David Arquette play bike messengers.
Sam Lloyd plays dispatcher Barkley. You may know him as Ted Buckland, the attorney for Sacred Heart Hospital on Scrubs.
Veteran comedic character actor Phil Leeds plays veteran bike messenger The Kid.
In the pilot, we learn that Johnny won’t sell Double Rush to a competitor because if he does, the competitor will lay off the messengers.
We also learn that Johnny’s loyalty is inherent. Twenty-five years prior, Johnny had the opportunity to sign with a record label. But the label only wanted Johnny, not his band mates.
Johnny wouldn’t sign without them, so he continued his bike messenger job to pay the bills. Eventually, he bought Double Rush.
Despite the cast and writing, Double Rush did not live to see the Fall 1995 lineup.
david@davidkrell.com
Double Rush was a short-lived sitcom on CBS that aired from January to April 1995.
Stephen Nathan and Diane English created the show.
Its setting was familiar -- the workplace.
Cheers had the bar in Boston where everybody knows your name.
WKRP in Cincinnati had a rock and roll radio station in the Queen City.
And Double Rush had a bicycle messenger service in Manhattan named Double Rush.
The owner is would-be rock musician Johnny Verona, played by Robert Pastorelli.
Pastorelli earned the respect, laughter, and loyalty of fans of Murphy Brown as Eldin Bernecky, the house painter who constantly created new projects for Murphy’s home.
Corinne Bohrer plays the practical-minded Harvard Business School grad Zoe Fuller, a good complement and potential love interest for Johnny.
There is a dynamic between dreamer Johnny and intellectual yet unfulfilled Zoe that is reminiscent of Sam and Diane on Cheers.
Double Rush was funny. Its characters were well-defined. And its supporting cast was solid.
D.L. Hughley, Adam Goldberg, and David Arquette play bike messengers.
Sam Lloyd plays dispatcher Barkley. You may know him as Ted Buckland, the attorney for Sacred Heart Hospital on Scrubs.
Veteran comedic character actor Phil Leeds plays veteran bike messenger The Kid.
In the pilot, we learn that Johnny won’t sell Double Rush to a competitor because if he does, the competitor will lay off the messengers.
We also learn that Johnny’s loyalty is inherent. Twenty-five years prior, Johnny had the opportunity to sign with a record label. But the label only wanted Johnny, not his band mates.
Johnny wouldn’t sign without them, so he continued his bike messenger job to pay the bills. Eventually, he bought Double Rush.
Despite the cast and writing, Double Rush did not live to see the Fall 1995 lineup.