CW
Jimmy Smits
November 25, 2009
by David Krell
david@davidkrell.com
Prime time soap operas dominated the 1980’s. In the 2000’s, not so much, except for the teenage version of the genre on the CW television network.
Jimmy Smits was part of an effort to reignite the genre with Cane, a short-lived offering on CBS in 2007. Cane revolved around a Cuban-American family and its power, wealth, and dynasty stemming from its rum and sugar business interests.
This is the third consecutive decade where Jimmy Smits has been a focal point of a prime time television series.
In the 1980’s, he played Victor Sifuentes on L.A. Law. Sifuentes worked in the Public Defender’s office before Michael Kuzak recruited him to the private law firm sector.
While Victor began as the ‘cleanup’ attorney for McKenzie Brackman, Chaney & Kuzak, handling the firm’s pro bono cases and other matters that burdened the firm’s workload, he ventured into other legal territories.
In the episode Victor Sifuentes confronted legendary attorney August Redding, played by legendary actor Ralph Bellamy. Victor’s client sues Redding for legal malpractice. In the episode’s climactic scene, Victor puts Redding on the witness stand. He reveals Redding’s deep loss of memory when the aging lawyer cannot remember Victor’s name.
Victor confronted another legendary attorney in Hamilton Schuyler, a dwarf attorney who specializes in products liability cases.
Nominated for an Emmy Award for Best Actor six times during his L.A. Law tenure, Smits won once.
In the 1990’s, Smits took over the lead position in NYPD Blue after the sudden departure of David Caruso. Smits’ Bobby Simone character is suave, sophisticated, and strong. With quiet confidence, he gains the respect of his partner, Andy Sipowicz. He also wins the love of fellow detective Diane Russell.
NYPD Blue eased out Bobby Simone in a story arc centering on a terrific heart problem. In the episode where Bobby dies, the last scene shows him flatlining and then we see the Executive Producer credits in black against a white background. It’s a direct contrast to the usual format -- white lettering against a black background.
Smits returns as Bobby Simone in an episode near the show’s end. Andy has a waking dream where he talks to Bobby.
Smits also hosted the retrospective that aired near the end of the show’s successful twelve-year run.
Smits did not win an Emmy Award for his work on NYPD Blue, though he received five nominations.
In the 2000’s, Smits appeared on The West Wing as Matthew Santos, a three-term congressman from Texas and former Mayor of Houston who wants to be the Democratic Party’s nominee for president.
White House Deputy Chief of Staff Joshua Lyman convinces Santos that he has a legitimate shot at the presidency. Initially an also-ran candidate, Santos slowly gains recognition during the primaries. The Democratic National Convention occurs with the delegates still unsure of a nominee. Santos gives an inspiring speech concerning the voters’ freedom to choose a nominee without the pressure of power brokers making the decision for them.
The speech inspires many delegates to vote for Santos. He also gets a little help from President Bartlet who convinces an influential New York delegate to cast the Empire State’s delegate votes for Santos.
Santos’ choice for the VP nominee slot -- Leo McGarry, President Bartlet’s Chief of Staff.
In a narrow election, Santos beats a veteran politician, Senator Arnold Vinick from Santa Paula, California.
Jimmy Smits’ contributions to television have been significant, enjoyable, and challenging. Making a name for himself while part of an ensemble on L.A. Law. Taking over a lead position on a hit show from an actor who made a notorious exit from success on NYPD Blue. Joining a team that’s played together for several years while adding to the chemistry of the cast on The West Wing.
Bringing interest, enthusiasm, and novelty is a difficult challenge for any actor. Smits met the challenge directly.
By the way, Jimmy Smits also deserves a place in television trivia history. Smits plays Eddie Rivera, the partner of Detective Sonny Crockett in the pilot of Miami Vice. Rivera died in a car bomb explosion triggered by Crockett’s nemesis.
david@davidkrell.com
Prime time soap operas dominated the 1980’s. In the 2000’s, not so much, except for the teenage version of the genre on the CW television network.
Jimmy Smits was part of an effort to reignite the genre with Cane, a short-lived offering on CBS in 2007. Cane revolved around a Cuban-American family and its power, wealth, and dynasty stemming from its rum and sugar business interests.
This is the third consecutive decade where Jimmy Smits has been a focal point of a prime time television series.
In the 1980’s, he played Victor Sifuentes on L.A. Law. Sifuentes worked in the Public Defender’s office before Michael Kuzak recruited him to the private law firm sector.
While Victor began as the ‘cleanup’ attorney for McKenzie Brackman, Chaney & Kuzak, handling the firm’s pro bono cases and other matters that burdened the firm’s workload, he ventured into other legal territories.
In the episode Victor Sifuentes confronted legendary attorney August Redding, played by legendary actor Ralph Bellamy. Victor’s client sues Redding for legal malpractice. In the episode’s climactic scene, Victor puts Redding on the witness stand. He reveals Redding’s deep loss of memory when the aging lawyer cannot remember Victor’s name.
Victor confronted another legendary attorney in Hamilton Schuyler, a dwarf attorney who specializes in products liability cases.
Nominated for an Emmy Award for Best Actor six times during his L.A. Law tenure, Smits won once.
In the 1990’s, Smits took over the lead position in NYPD Blue after the sudden departure of David Caruso. Smits’ Bobby Simone character is suave, sophisticated, and strong. With quiet confidence, he gains the respect of his partner, Andy Sipowicz. He also wins the love of fellow detective Diane Russell.
NYPD Blue eased out Bobby Simone in a story arc centering on a terrific heart problem. In the episode where Bobby dies, the last scene shows him flatlining and then we see the Executive Producer credits in black against a white background. It’s a direct contrast to the usual format -- white lettering against a black background.
Smits returns as Bobby Simone in an episode near the show’s end. Andy has a waking dream where he talks to Bobby.
Smits also hosted the retrospective that aired near the end of the show’s successful twelve-year run.
Smits did not win an Emmy Award for his work on NYPD Blue, though he received five nominations.
In the 2000’s, Smits appeared on The West Wing as Matthew Santos, a three-term congressman from Texas and former Mayor of Houston who wants to be the Democratic Party’s nominee for president.
White House Deputy Chief of Staff Joshua Lyman convinces Santos that he has a legitimate shot at the presidency. Initially an also-ran candidate, Santos slowly gains recognition during the primaries. The Democratic National Convention occurs with the delegates still unsure of a nominee. Santos gives an inspiring speech concerning the voters’ freedom to choose a nominee without the pressure of power brokers making the decision for them.
The speech inspires many delegates to vote for Santos. He also gets a little help from President Bartlet who convinces an influential New York delegate to cast the Empire State’s delegate votes for Santos.
Santos’ choice for the VP nominee slot -- Leo McGarry, President Bartlet’s Chief of Staff.
In a narrow election, Santos beats a veteran politician, Senator Arnold Vinick from Santa Paula, California.
Jimmy Smits’ contributions to television have been significant, enjoyable, and challenging. Making a name for himself while part of an ensemble on L.A. Law. Taking over a lead position on a hit show from an actor who made a notorious exit from success on NYPD Blue. Joining a team that’s played together for several years while adding to the chemistry of the cast on The West Wing.
Bringing interest, enthusiasm, and novelty is a difficult challenge for any actor. Smits met the challenge directly.
By the way, Jimmy Smits also deserves a place in television trivia history. Smits plays Eddie Rivera, the partner of Detective Sonny Crockett in the pilot of Miami Vice. Rivera died in a car bomb explosion triggered by Crockett’s nemesis.
Beverly Hills 90210
October 15, 2009
by David Krell
david@davidkrell.com
In the Summer of 1991, FOX showed us what high school students do during summer vacation.
They work.
They party.
They go to summer school.
Beverly Hills 90210 premiered in the Fall of 1990.
During its freshman season, 90210 added value to the youth-oriented programming on FOX. But the show about privileged kids in the country’s most famous zip code did not overwhelm the competition with its counter-programming content.
Enter the summer.
A time when networks traditionally burn off unsold pilots, episodes of unsold shows, and regular programming in reruns for a third broadcast.
But FOX is not a traditional network. And it certainly wasn’t a traditional network in its nascent days.
When FOX started in 1986, it was not airing a full slate of programming, so it legally, logically, and historically could not be called a “television network.”
In any case, FOX saw an opening in the summer schedule.
Airing new episodes of 90210 in the summer would be true counter-programming.
Original episodes against burned off pilots and reruns.
And perfectly logical.
High school students have lives from late June to early September.
90210 reflected that reality.
Summer relationships.
Summer jobs.
Summer vacation.
The six original episodes of 90210 in the Summer of 1991 helped launch the show into the stratosphere.
It helped stretch story lines across multiple episodes, contrary to the self-contained episodic story line format in the first season.
And it helped open up new story lines for the second season.
The programming exercise was successful and FOX repeated it in the Summer of 1992 with six new episodes.
By this time, 90210 was a Goliath.
It also spawned a spinoff in the Summer of 1992 -- Melrose Place.
The CW presently airs revived versions of both shows.
david@davidkrell.com
In the Summer of 1991, FOX showed us what high school students do during summer vacation.
They work.
They party.
They go to summer school.
Beverly Hills 90210 premiered in the Fall of 1990.
During its freshman season, 90210 added value to the youth-oriented programming on FOX. But the show about privileged kids in the country’s most famous zip code did not overwhelm the competition with its counter-programming content.
Enter the summer.
A time when networks traditionally burn off unsold pilots, episodes of unsold shows, and regular programming in reruns for a third broadcast.
But FOX is not a traditional network. And it certainly wasn’t a traditional network in its nascent days.
When FOX started in 1986, it was not airing a full slate of programming, so it legally, logically, and historically could not be called a “television network.”
In any case, FOX saw an opening in the summer schedule.
Airing new episodes of 90210 in the summer would be true counter-programming.
Original episodes against burned off pilots and reruns.
And perfectly logical.
High school students have lives from late June to early September.
90210 reflected that reality.
Summer relationships.
Summer jobs.
Summer vacation.
The six original episodes of 90210 in the Summer of 1991 helped launch the show into the stratosphere.
It helped stretch story lines across multiple episodes, contrary to the self-contained episodic story line format in the first season.
And it helped open up new story lines for the second season.
The programming exercise was successful and FOX repeated it in the Summer of 1992 with six new episodes.
By this time, 90210 was a Goliath.
It also spawned a spinoff in the Summer of 1992 -- Melrose Place.
The CW presently airs revived versions of both shows.