Hawkeye
Harry Morgan
November 21, 2009
by David Krell
david@davidkrell.com
Before he was Colonel Potter on M*A*S*H, Harry Morgan was one of Hollywood’s cornerstone character actors. He shared the silver screen with legends.
Inherit the Wind with Spencer Tracy and Fredric March.
High Noon with Gary Cooper and Grace Kelly.
The Glenn Miller Story with Jimmy Stewart and June Allyson.
The Shootist with John Wayne.
Frankie and Johnny with Elvis Presley.
Support Your Local Sheriff with James Garner.
Dragnet with Tom Hanks and Dan Aykroyd. In Dragnet, Morgan reprises his role of Bill Gannon from the television series of the same name in the late 1960’s and early 1970’s. Gannon has climbed the ranks to become a police captain.
Morgan played Pete Porter in the television series December Bride and its spinoff -- Pete & Gladys. He also played Judge Bell in the trio of 1990’s Incident tv-movies starring Walter Matthau -- The Incident, Against Her Will: An Incident in Baltimore, Incident in a Small Town.
But Harry Morgan’s role of the authoritative, compassionate, and wise Colonel Potter on M*A*S*H is likely the role most identified with Morgan. Potter is Morgan’s signature character.
Morgan had big shoes to fill. When M*A*S*H producers killed off Colonel Henry Blake in the spring of 1975, the creative decision sparked shock, dismay, and even outrage. Who ever heard of a show killing a major, beloved, and valuable character? Blake’s death offered no chance for a spinoff, return appearance, or revival.
While McLean Stevenson’s popularity soared as the affable, bumbling, and concerned Colonel Blake who was also one of the guys, Harry Morgan won the respect of fans by playing Colonel Potter with dignity, understanding, and a voice of experience.
Potter led Hawkeye, B.J. and the rest of the M*A*S*H 4077th, but he never talked down to them. He was a Regular Army style solider but he ignored the rules and regulations if they interfered with treating wounded soldiers.
Potter was a combat veteran who became a doctor. But he never forgot the courage of soldiers in the field.
In a vicious ocean of injury, violence, and death, Morgan’s Colonel Potter was the calm oasis of experience, wisdom, and compassion.
Harry Morgan actually made a pre-Potter appearance on M*A*S*H. In the third season premiere -- The General Flipped At Dawn -- he plays General Steele, a half-crazed general. Morgan received an Emmy nomination for his guest appearance in this episode that kicked off the 1975-76 season.
For his role as Colonel Potter, Morgan received eight nominations for Best Supporting Actor. He won once. He also received an Emmy nomination for Best Director.
Harry Morgan continued playing Colonel Potter in the sequel After M*A*S*H. The show is set in a stateside Veterans Administration hospital in Missouri. Jamie Farr and William Christopher joined Morgan to continue their roles as Max Klinger and Father Mulcahy respectively.
After After M*A*S*H, Morgan mostly enjoyed guest appearances on television shows -- The Jeff Foxworthy Show, Grace Under Fire, Third Rock from the Sun, and The Simpsons.
On The Simpsons, Morgan once again reprised his role of Bill Gannon.
david@davidkrell.com
Before he was Colonel Potter on M*A*S*H, Harry Morgan was one of Hollywood’s cornerstone character actors. He shared the silver screen with legends.
Inherit the Wind with Spencer Tracy and Fredric March.
High Noon with Gary Cooper and Grace Kelly.
The Glenn Miller Story with Jimmy Stewart and June Allyson.
The Shootist with John Wayne.
Frankie and Johnny with Elvis Presley.
Support Your Local Sheriff with James Garner.
Dragnet with Tom Hanks and Dan Aykroyd. In Dragnet, Morgan reprises his role of Bill Gannon from the television series of the same name in the late 1960’s and early 1970’s. Gannon has climbed the ranks to become a police captain.
Morgan played Pete Porter in the television series December Bride and its spinoff -- Pete & Gladys. He also played Judge Bell in the trio of 1990’s Incident tv-movies starring Walter Matthau -- The Incident, Against Her Will: An Incident in Baltimore, Incident in a Small Town.
But Harry Morgan’s role of the authoritative, compassionate, and wise Colonel Potter on M*A*S*H is likely the role most identified with Morgan. Potter is Morgan’s signature character.
Morgan had big shoes to fill. When M*A*S*H producers killed off Colonel Henry Blake in the spring of 1975, the creative decision sparked shock, dismay, and even outrage. Who ever heard of a show killing a major, beloved, and valuable character? Blake’s death offered no chance for a spinoff, return appearance, or revival.
While McLean Stevenson’s popularity soared as the affable, bumbling, and concerned Colonel Blake who was also one of the guys, Harry Morgan won the respect of fans by playing Colonel Potter with dignity, understanding, and a voice of experience.
Potter led Hawkeye, B.J. and the rest of the M*A*S*H 4077th, but he never talked down to them. He was a Regular Army style solider but he ignored the rules and regulations if they interfered with treating wounded soldiers.
Potter was a combat veteran who became a doctor. But he never forgot the courage of soldiers in the field.
In a vicious ocean of injury, violence, and death, Morgan’s Colonel Potter was the calm oasis of experience, wisdom, and compassion.
Harry Morgan actually made a pre-Potter appearance on M*A*S*H. In the third season premiere -- The General Flipped At Dawn -- he plays General Steele, a half-crazed general. Morgan received an Emmy nomination for his guest appearance in this episode that kicked off the 1975-76 season.
For his role as Colonel Potter, Morgan received eight nominations for Best Supporting Actor. He won once. He also received an Emmy nomination for Best Director.
Harry Morgan continued playing Colonel Potter in the sequel After M*A*S*H. The show is set in a stateside Veterans Administration hospital in Missouri. Jamie Farr and William Christopher joined Morgan to continue their roles as Max Klinger and Father Mulcahy respectively.
After After M*A*S*H, Morgan mostly enjoyed guest appearances on television shows -- The Jeff Foxworthy Show, Grace Under Fire, Third Rock from the Sun, and The Simpsons.
On The Simpsons, Morgan once again reprised his role of Bill Gannon.
The Taking of Pelham 123
October 13, 2009
by David Krell
david@davidkrell.com
The remake of The Taking of Pelham 123 opened in theaters this past summer. The film stars three actors who got their big breaks on the small screen.
Denzel Washington.
In Pelham, Washington plays Walter Garber, a New York City civil servant who becomes the link of communication to hostage takers on a subway train.
Washington was part of the terrific ensemble cast of St. Elsewhere. In this 1980’s NBC drama set in a Boston hospital, Washington plays the Yale-educated Dr. Phillip Chandler.
His breakthrough movie was Glory, a 1989 film set during the Civil War. Washington earned on Oscar for Best Supporting Actor.
John Travolta.
In Pelham, Travolta plays Ryder, the leader of the hostage takers.
Travolta exploded onto America’s consciousness as dim-witted, girl-crazy, and self-involved high school student Vinnie Barbarino in Welcome Back, Kotter.
Kotter premiered in 1975. In the space of three years, Travolta’s career became hotter than a supernova. On the silver screen, he starred in 1977’s Saturday Night Fever and 1978’s Grease.
For the most part, notoriety subsided during the 1980’s. Travolta signaled his comeback in Quentin Tarantino’s Pulp Fiction in 1994.
James Gandolfini.
In Pelham, Gandolfini plays the Mayor of New York City. If managed properly, the hostage crisis can be good for the politics business. Or very bad.
After highly significant roles on Broadway and supporting roles in films, Gandolfini got the role for which he will forever be identified.
Henry Winkler has Fonzie.
Alan Alda has Hawkeye.
And James Gandolfini has Tony Soprano, the main character in The Sopranos.
Gandolfini’s emotions as the New Jersey mafia don range from the tender to the explosive. He reveals a touching side when talking about or interacting with animals, like his racehorse, Pie-Oh-My.
There is a flip side. Disloyalty, betrayal, and disrespect trigger rage, violence, and an underlying fear of a weakened position in the Soprano mob family.
In 1973, Morton Freedgood wrote the novel The Taking of Pelham 123 under the pseudonym John Godey.
A year later, the story hit the big screen for the first time with Walter Matthau as Garber, Robert Shaw as Ryder, and Lee Wallace as the mayor.
The film accurately captures the aura of violence, fear, and despair surrounding New York City in the 1970’s. Riots. Crime. Financial turmoil. They all contributed to the pressure.
The feeling permeates the film. Walter Matthau’s Garber is in the middle -- a civil servant trying to do his job. On this particular day, it is an ordinary job under extraordinary circumstances. Matthau perfectly fits the role of the rumpled Garber.
The ending of this version of Pelham is an excellent example of a setup and payoff. Something occurs early in the story that recurs at the end.
Hector Elizondo and Earl Hindman play two of the hostage takers. Elizondo later starred in Chicago Hope and played supporting roles in a deep roster of films that include The Flamingo Kid, The Princess Diaries, and Pretty Woman.
Hindman’s face is not recognizable from his signature role -- Wilson, the neighbor on Home Improvement. The running gag on the show was the hiding of Wilson’s face behind the backyard fence and other objects.
Jerry Stiller plays a policeman working with Matthau. Maybe the hostage crisis was a source of sorts for Frank Costanza’s anger.
david@davidkrell.com
The remake of The Taking of Pelham 123 opened in theaters this past summer. The film stars three actors who got their big breaks on the small screen.
Denzel Washington.
In Pelham, Washington plays Walter Garber, a New York City civil servant who becomes the link of communication to hostage takers on a subway train.
Washington was part of the terrific ensemble cast of St. Elsewhere. In this 1980’s NBC drama set in a Boston hospital, Washington plays the Yale-educated Dr. Phillip Chandler.
His breakthrough movie was Glory, a 1989 film set during the Civil War. Washington earned on Oscar for Best Supporting Actor.
John Travolta.
In Pelham, Travolta plays Ryder, the leader of the hostage takers.
Travolta exploded onto America’s consciousness as dim-witted, girl-crazy, and self-involved high school student Vinnie Barbarino in Welcome Back, Kotter.
Kotter premiered in 1975. In the space of three years, Travolta’s career became hotter than a supernova. On the silver screen, he starred in 1977’s Saturday Night Fever and 1978’s Grease.
For the most part, notoriety subsided during the 1980’s. Travolta signaled his comeback in Quentin Tarantino’s Pulp Fiction in 1994.
James Gandolfini.
In Pelham, Gandolfini plays the Mayor of New York City. If managed properly, the hostage crisis can be good for the politics business. Or very bad.
After highly significant roles on Broadway and supporting roles in films, Gandolfini got the role for which he will forever be identified.
Henry Winkler has Fonzie.
Alan Alda has Hawkeye.
And James Gandolfini has Tony Soprano, the main character in The Sopranos.
Gandolfini’s emotions as the New Jersey mafia don range from the tender to the explosive. He reveals a touching side when talking about or interacting with animals, like his racehorse, Pie-Oh-My.
There is a flip side. Disloyalty, betrayal, and disrespect trigger rage, violence, and an underlying fear of a weakened position in the Soprano mob family.
In 1973, Morton Freedgood wrote the novel The Taking of Pelham 123 under the pseudonym John Godey.
A year later, the story hit the big screen for the first time with Walter Matthau as Garber, Robert Shaw as Ryder, and Lee Wallace as the mayor.
The film accurately captures the aura of violence, fear, and despair surrounding New York City in the 1970’s. Riots. Crime. Financial turmoil. They all contributed to the pressure.
The feeling permeates the film. Walter Matthau’s Garber is in the middle -- a civil servant trying to do his job. On this particular day, it is an ordinary job under extraordinary circumstances. Matthau perfectly fits the role of the rumpled Garber.
The ending of this version of Pelham is an excellent example of a setup and payoff. Something occurs early in the story that recurs at the end.
Hector Elizondo and Earl Hindman play two of the hostage takers. Elizondo later starred in Chicago Hope and played supporting roles in a deep roster of films that include The Flamingo Kid, The Princess Diaries, and Pretty Woman.
Hindman’s face is not recognizable from his signature role -- Wilson, the neighbor on Home Improvement. The running gag on the show was the hiding of Wilson’s face behind the backyard fence and other objects.
Jerry Stiller plays a policeman working with Matthau. Maybe the hostage crisis was a source of sorts for Frank Costanza’s anger.
MASH Guest Stars
September 21, 2009
by David Krell
david@davidkrell.com
The list of guest stars on M*A*S*H is an entertainment hall of fame list.
From 1972 to 1983, this powerhouse show on CBS boasted actors and actresses who later became fixtures on America’s favorite television shows on the Eye Network.
Joan Van Ark and Knots Landing.
Gregory Harrison and Trapper John, M.D.
Vic Tayback and Alice.
Sorrell Booke and The Dukes of Hazzard.
Linda Kelsey and Lou Grant.
Susan Saint James and Kate and Allie.
Some actors and actresses became fixtures on America’s favorite television shows on other networks.
Ed Flanders and St. Elsewhere.
Ed Begley, Jr. and St. Elsewhere.
Shelley Long and Cheers.
George Wendt and Cheers.
John Ritter and Three’s Company.
Robert Ito and Quincy.
Jack Soo and Barney Miller.
Larry Wilcox and CHiPs.
And some actors and actresses became movie stars.
Laurence Fishburne.
Patrick Swayze.
Teri Garr.
Some guest stars on M*A*S*H played roles that helped peel back the layers of the regular staff of the 4077th.
In the episode The More I See You, Blythe Danner plays Carlye, a nurse and long-lost flame of Hawkeye.
We learned that Hawkeye and Carlye actually lived together.
But timing is everything.
The relationship couldn’t go further because Hawkeye was in residency and work was his priority.
Now assigned to the 4077th, Carlye is married. Hawkeye tries to reignite the flame.
And he succeeds.
Until he gives a rambling monologue about commitment while walking around his tent, a.k.a. the Swamp. Carlye shows him that he cannot have a relationship because he’s literally talked himself into a corner while talking about long-term commitment.
Dennis Dugan appears in two M*A*S*H episodes -- Love and Marriage and Strange Bedfellows.
In Strange Bedfellows, he plays Potter’s son-in-law.
And Potter learns about the son-in-law’s betrayal to his wife, Potter’s daughter. Though angry, Potter reveals that he himself got a little friendlier than he should have with a nurse early in his career.
Ron Howard guest stars in the first episode that showed M*A*S*H could go beyond the antics of draftee doctors to places of deep emotion, pathos, and sobriety.
In the landmark episode Sometimes You Hear the Bullet, Hawkeye’s friend, Tommy Gillis, is researching a book about war.
James Callahan plays Gillis.
He theorizes that a soldier never hears the bullet that kills him. Gillis’ theory directly contrasts the depiction of combat in the movies. He wants to call his book You Never Hear the Bullet.
During his research on the front lines, Gillis gets shot and winds up on Hawkeye’s operating table. Gillis tells Hawkeye that he heard the bullet and dies before Hawkeye can operate.
Meanwhile, an underage soldier named Wendell Peterson is in post-op.
Played by Howard, the 15-year-old Wendell stole his brother Walter’s identity to become a soldier only to impress a girl.
Hawkeye initially tells him that the secret will not be revealed.
But after seeing his friend die, Hawkeye gets a speech from Colonel Henry Blake.
There are certain rules about a war. Rule Number One is ‘Young men die.’ Rule number two is ‘Doctors can’t change Rule Number One.’
Hawkeye’s response is to keep one young man from dying in one war.
He reports Peterson to Major Houlihan, thus saving Peterson from future harm, at least on the battle field.
david@davidkrell.com
The list of guest stars on M*A*S*H is an entertainment hall of fame list.
From 1972 to 1983, this powerhouse show on CBS boasted actors and actresses who later became fixtures on America’s favorite television shows on the Eye Network.
Joan Van Ark and Knots Landing.
Gregory Harrison and Trapper John, M.D.
Vic Tayback and Alice.
Sorrell Booke and The Dukes of Hazzard.
Linda Kelsey and Lou Grant.
Susan Saint James and Kate and Allie.
Some actors and actresses became fixtures on America’s favorite television shows on other networks.
Ed Flanders and St. Elsewhere.
Ed Begley, Jr. and St. Elsewhere.
Shelley Long and Cheers.
George Wendt and Cheers.
John Ritter and Three’s Company.
Robert Ito and Quincy.
Jack Soo and Barney Miller.
Larry Wilcox and CHiPs.
And some actors and actresses became movie stars.
Laurence Fishburne.
Patrick Swayze.
Teri Garr.
Some guest stars on M*A*S*H played roles that helped peel back the layers of the regular staff of the 4077th.
In the episode The More I See You, Blythe Danner plays Carlye, a nurse and long-lost flame of Hawkeye.
We learned that Hawkeye and Carlye actually lived together.
But timing is everything.
The relationship couldn’t go further because Hawkeye was in residency and work was his priority.
Now assigned to the 4077th, Carlye is married. Hawkeye tries to reignite the flame.
And he succeeds.
Until he gives a rambling monologue about commitment while walking around his tent, a.k.a. the Swamp. Carlye shows him that he cannot have a relationship because he’s literally talked himself into a corner while talking about long-term commitment.
Dennis Dugan appears in two M*A*S*H episodes -- Love and Marriage and Strange Bedfellows.
In Strange Bedfellows, he plays Potter’s son-in-law.
And Potter learns about the son-in-law’s betrayal to his wife, Potter’s daughter. Though angry, Potter reveals that he himself got a little friendlier than he should have with a nurse early in his career.
Ron Howard guest stars in the first episode that showed M*A*S*H could go beyond the antics of draftee doctors to places of deep emotion, pathos, and sobriety.
In the landmark episode Sometimes You Hear the Bullet, Hawkeye’s friend, Tommy Gillis, is researching a book about war.
James Callahan plays Gillis.
He theorizes that a soldier never hears the bullet that kills him. Gillis’ theory directly contrasts the depiction of combat in the movies. He wants to call his book You Never Hear the Bullet.
During his research on the front lines, Gillis gets shot and winds up on Hawkeye’s operating table. Gillis tells Hawkeye that he heard the bullet and dies before Hawkeye can operate.
Meanwhile, an underage soldier named Wendell Peterson is in post-op.
Played by Howard, the 15-year-old Wendell stole his brother Walter’s identity to become a soldier only to impress a girl.
Hawkeye initially tells him that the secret will not be revealed.
But after seeing his friend die, Hawkeye gets a speech from Colonel Henry Blake.
There are certain rules about a war. Rule Number One is ‘Young men die.’ Rule number two is ‘Doctors can’t change Rule Number One.’
Hawkeye’s response is to keep one young man from dying in one war.
He reports Peterson to Major Houlihan, thus saving Peterson from future harm, at least on the battle field.
Captain Tuttle
April 21, 2009
by David Krell
david@davidkrell.com
M*A*S*H had several memorable characters.
Klinger and his women’s clothes.
Hawkeye and his sarcastic wit.
Charles and his superiority complex.
But one of the most memorable characters in the environs of the 4077th is one who never really existed.
In the episode Tuttle, Trapper John and Hawkeye create a file for Jonathan Tuttle, a fictitious doctor whose name Hawkeye uses to authorize donation of supplies to Sister Teresa for her orphanage.
Word soon spreads around camp about this new Jonathan Tuttle.
Thanks to Radar, Colonel Blake is convinced that he has meals with Tuttle.
Frank Burns starts playing camp politics and says that Tuttle is a friend.
And Hot Lips and Frank demand to see the personnel file.
Hawkeye and Trapper John go to work and flesh out the details of one U.S. Army Captain, Dr. Jonathan Tuttle.
Born in 1924.
Hometown, Battle Creek Michigan.
Parents, Harry and Freeda.
And for medical school, Trapper John suggests Harvard, however, Hawkeye wisely suggests that they can’t use a school that can be checked.
Trapper’s response: Berlin Polytechnic.
Always the benevolent one, Hawkeye says, Now a little something for Hot Lips. Height, Six-Four. Weight, 195 pounds. Hair, auburn. Eyes, hazel.
Army red tape then provides Captain Tuttle with months of back pay. While under an operating mask, Hawkeye says that he’s Jonathan Tuttle and signs the appropriate documents brought to the M*A*S*H 4077th by the officer assigned to this particular duty.
Because he’s independently wealthy, that is to say, because Captain Tuttle is independently wealthy, Hawkeye then instructs the officer who brought the paperwork to give all future pay to Sister Teresa’s orphanage.
General Clayton learns that Tuttle gave 14 months back pay to the orphanage and decides to hold a ceremony so he can give Captain Tuttle a decoration.
Hawkeye then reveals there is no Tuttle. Well, at least not anymore. He says that Captain Tuttle went to the batlle field to perform emergency medical surgery. He had everything he needed, except his parachute.
Hawkeye isn’t out of the woods yet. Colonel Blake calls on Hawkeye, the man who knew Tuttle best, to deliver the eulogy.
Naturally, Frank complains to Margaret that he knew Tuttle best.
Hawkeye says, We can all be comforted by the fact that he’s not really gone. There’s a little Tuttle left in all of us. In fact, you might say that all of us together made up Tuttle.
And we learn of one last charitable act. Hawkeye tells his colleagues that Tuttle’s GI insurance names Sister Teresa’s orphanage as the sole beneficiary.
Henry Blake tears up and the episode ends with him saying, He was the best damn OD we ever had. OD is shorthand for Officer of the Day.
In the episode’s tag, Radar questions where they got the dog tags and parachute to complete the scenario of Tuttle dying. Trapper John explains that they came from Major Murdock. Tall, skinny guy. Tuttle’s replacement.
david@davidkrell.com
M*A*S*H had several memorable characters.
Klinger and his women’s clothes.
Hawkeye and his sarcastic wit.
Charles and his superiority complex.
But one of the most memorable characters in the environs of the 4077th is one who never really existed.
In the episode Tuttle, Trapper John and Hawkeye create a file for Jonathan Tuttle, a fictitious doctor whose name Hawkeye uses to authorize donation of supplies to Sister Teresa for her orphanage.
Word soon spreads around camp about this new Jonathan Tuttle.
Thanks to Radar, Colonel Blake is convinced that he has meals with Tuttle.
Frank Burns starts playing camp politics and says that Tuttle is a friend.
And Hot Lips and Frank demand to see the personnel file.
Hawkeye and Trapper John go to work and flesh out the details of one U.S. Army Captain, Dr. Jonathan Tuttle.
Born in 1924.
Hometown, Battle Creek Michigan.
Parents, Harry and Freeda.
And for medical school, Trapper John suggests Harvard, however, Hawkeye wisely suggests that they can’t use a school that can be checked.
Trapper’s response: Berlin Polytechnic.
Always the benevolent one, Hawkeye says, Now a little something for Hot Lips. Height, Six-Four. Weight, 195 pounds. Hair, auburn. Eyes, hazel.
Army red tape then provides Captain Tuttle with months of back pay. While under an operating mask, Hawkeye says that he’s Jonathan Tuttle and signs the appropriate documents brought to the M*A*S*H 4077th by the officer assigned to this particular duty.
Because he’s independently wealthy, that is to say, because Captain Tuttle is independently wealthy, Hawkeye then instructs the officer who brought the paperwork to give all future pay to Sister Teresa’s orphanage.
General Clayton learns that Tuttle gave 14 months back pay to the orphanage and decides to hold a ceremony so he can give Captain Tuttle a decoration.
Hawkeye then reveals there is no Tuttle. Well, at least not anymore. He says that Captain Tuttle went to the batlle field to perform emergency medical surgery. He had everything he needed, except his parachute.
Hawkeye isn’t out of the woods yet. Colonel Blake calls on Hawkeye, the man who knew Tuttle best, to deliver the eulogy.
Naturally, Frank complains to Margaret that he knew Tuttle best.
Hawkeye says, We can all be comforted by the fact that he’s not really gone. There’s a little Tuttle left in all of us. In fact, you might say that all of us together made up Tuttle.
And we learn of one last charitable act. Hawkeye tells his colleagues that Tuttle’s GI insurance names Sister Teresa’s orphanage as the sole beneficiary.
Henry Blake tears up and the episode ends with him saying, He was the best damn OD we ever had. OD is shorthand for Officer of the Day.
In the episode’s tag, Radar questions where they got the dog tags and parachute to complete the scenario of Tuttle dying. Trapper John explains that they came from Major Murdock. Tall, skinny guy. Tuttle’s replacement.