Las Vegas
Crime Story
October 01, 2009
by David Krell
david@davidkrell.com
In the 1980’s, an NBC show about cops had it all.
A new look.
Story arcs that existed over several episodes.
And the elevation of lesser known actors into household name status.
Hill Street Blues? No.
Miami Vice? No.
Crime Story.
Michael Mann’s production of a Chicago cop and his mobster prey only lasted two seasons from 1986-1988.
But it was a terrific two years.
Set in the early 1960’s, Crime Story followed the exploits of Chicago Police Department Lt. Mike Torello and his squad at MCU or Major Crimes Unit. Their mission is to take down mobster Ray Luca.
When Luca moves his base of operations to Las Vegas, Torello and team follows, only to trade in their Chicago police badges to work for the feds.
At the end of the first season, Ray Luca and his addlebrained sidekick, Paulie Taglia, escape to the desert where they find themselves in the middle of nuclear testing. Because they survive, the federal government gives them immunity from prosecution and increases the difficulty of Torello’s job.
The medical information learned from their survival is simply invaluable during the Cold War and immunity from prosecution is the government’s compensation.
Crime Story was created by Gustave Reininger and Chuck Adamson. It starred Dennis Farina as Mike Torello. In a perfect example of art imitating life, Adamson and Farina worked for the Chicago Police Department before their show business careers. John Santucci played Paulie Taglia. Santucci was a thief in Chicago in his previous career. Adamson and Farina knew Santucci from their Chicago days. They arrested him!
Anthony Denison played Ray Luca. He went to the other side of law enforcement during a brief stint on Wiseguy when he replaced Ken Wahl. Denison played a former FBI agent drawn back into the fight against crime.
A reading of the list of guest stars on Crime Story is impressive.
Kevin Spacey. David Caruso. Julia Roberts. Ving Rhames. Gary Sinise. David Hyde-Pierce. Billy Zane. Laura San Giacomo. Dennis Haysbert.
Regular and recurring actors on Crime Story will also be familiar.
Before he was Corky’s dad on Life Goes On, Bill Smitrovich was Detective Danny Krycheck.
Before he was a single dad looking for a chance at true love on Once and Again, Billy Campbell was Detective Joey Indelli.
And before he sold out sports arenas, comedian Andrew Dice Clay was Max Goldman, a savvy partner of Ray Luca.
Del Shannon’s Runaway was the show’s theme song. It set the tone perfectly for the series. An upbeat tune balanced by somber words.
Crime Story paid great attention to style, setting, and detail. It captured the viewer. In Chicago, Torello and his squad often regrouped at a bar called the Orbit Room, a nod to the fascination inspired by the Space Age of the 1960’s.
In one episode, Torello and the guys talk about the Chicago Bears. He says that Ditka is the best player on the team. It was essentially a wink to the viewer. Mike Ditka played for the Bears in the 1960’s and coached the team during the mid-1980’s, the period of the show’s broadcast history.
Cars with fins. Suits with thin ties. Men with hats. All details of another era. But Crime Story recaptured them in an old-fashioned good guy vs. bad guy story line.
Crime Story ended with a cliffhanger. The principal characters airborne in a pilotless plane. Maybe one day, a tv-movie will tie up loose ends. And we will find out the ultimate destiny of Torello and Luca. Until then, you can create your own Crime Story ending.
david@davidkrell.com
In the 1980’s, an NBC show about cops had it all.
A new look.
Story arcs that existed over several episodes.
And the elevation of lesser known actors into household name status.
Hill Street Blues? No.
Miami Vice? No.
Crime Story.
Michael Mann’s production of a Chicago cop and his mobster prey only lasted two seasons from 1986-1988.
But it was a terrific two years.
Set in the early 1960’s, Crime Story followed the exploits of Chicago Police Department Lt. Mike Torello and his squad at MCU or Major Crimes Unit. Their mission is to take down mobster Ray Luca.
When Luca moves his base of operations to Las Vegas, Torello and team follows, only to trade in their Chicago police badges to work for the feds.
At the end of the first season, Ray Luca and his addlebrained sidekick, Paulie Taglia, escape to the desert where they find themselves in the middle of nuclear testing. Because they survive, the federal government gives them immunity from prosecution and increases the difficulty of Torello’s job.
The medical information learned from their survival is simply invaluable during the Cold War and immunity from prosecution is the government’s compensation.
Crime Story was created by Gustave Reininger and Chuck Adamson. It starred Dennis Farina as Mike Torello. In a perfect example of art imitating life, Adamson and Farina worked for the Chicago Police Department before their show business careers. John Santucci played Paulie Taglia. Santucci was a thief in Chicago in his previous career. Adamson and Farina knew Santucci from their Chicago days. They arrested him!
Anthony Denison played Ray Luca. He went to the other side of law enforcement during a brief stint on Wiseguy when he replaced Ken Wahl. Denison played a former FBI agent drawn back into the fight against crime.
A reading of the list of guest stars on Crime Story is impressive.
Kevin Spacey. David Caruso. Julia Roberts. Ving Rhames. Gary Sinise. David Hyde-Pierce. Billy Zane. Laura San Giacomo. Dennis Haysbert.
Regular and recurring actors on Crime Story will also be familiar.
Before he was Corky’s dad on Life Goes On, Bill Smitrovich was Detective Danny Krycheck.
Before he was a single dad looking for a chance at true love on Once and Again, Billy Campbell was Detective Joey Indelli.
And before he sold out sports arenas, comedian Andrew Dice Clay was Max Goldman, a savvy partner of Ray Luca.
Del Shannon’s Runaway was the show’s theme song. It set the tone perfectly for the series. An upbeat tune balanced by somber words.
Crime Story paid great attention to style, setting, and detail. It captured the viewer. In Chicago, Torello and his squad often regrouped at a bar called the Orbit Room, a nod to the fascination inspired by the Space Age of the 1960’s.
In one episode, Torello and the guys talk about the Chicago Bears. He says that Ditka is the best player on the team. It was essentially a wink to the viewer. Mike Ditka played for the Bears in the 1960’s and coached the team during the mid-1980’s, the period of the show’s broadcast history.
Cars with fins. Suits with thin ties. Men with hats. All details of another era. But Crime Story recaptured them in an old-fashioned good guy vs. bad guy story line.
Crime Story ended with a cliffhanger. The principal characters airborne in a pilotless plane. Maybe one day, a tv-movie will tie up loose ends. And we will find out the ultimate destiny of Torello and Luca. Until then, you can create your own Crime Story ending.
Elvis
October 01, 2009
by David Krell
david@davidkrell.com
Elvis.
More than thirty years have passed since he went to rock and roll heaven in 1977.
And just the mere mention of his name opens a lockbox of tremendous memories.
His movements.
His movies.
His portrayals.
Elvis Presley moved on stage like no other performer before him, swiveling his hips to the delight of teenage girls, the jealousy of their boyfriends, and the fright of their parents.
Elvis’ movies may have been formulaic.
Sing a few songs. Charm a few girls. Win the heart of the female lead.
But he surrounded himself with veteran actors who shouldered the load. In lesser hands, the movies would have been unwatchable instead of simply enjoyable.
Angela Lansbury in Blue Hawaii.
Gary Merrill and James Gregory in Clambake.
Gale Gordon and William Schallert in Speedway.
Portrayals of Elvis on television also add to the King’s legacy by interpreting, explaining, and depicting certain aspects of his life.
Okay. So you may not remember some of them. But they deserve a second look, if for no other reason than a sense of completion in looking at Elvis’ career.
We’ve all seen the black and white footage of Elvis dancing and singing Jailhouse Rock in the 1957 movie of the same name, a precursor to the dance videos that would appear during the early days of MTV twenty-five years later.
But did you see Elvis and the Colonel, a 1993 tv-movie starring Rob Youngblood as Elvis and Beau Bridges as Colonel Tom Parker, the manager and mastermind behind a highly significant part of Elvis' career?
How about Elvis and the Beauty Queen, a 1981 tv-movie starring Stephanie Zimbalist as the King's girlfriend, Linda Thompson, and Don Johnson as Elvis? Zimbalist and Johnson made terrific contributions to NBC's revival as a television network powerhouse in the 1980's. She starred in Remington Steele and he made pastels fashionable in Miami Vice.
In 1988, Dale Midkiff portrayed Elvis in Elvis and Me, a four-hour miniseries told from wife Priscilla Presley's point of view. It was based on the book of the same name that Priscilla wrote with Sandra Harmon.
In 2005, Jonathan Rhys-Meyers played Elvis in another four-hour miniseries simply titled Elvis.
Michael St. Gerard filled the shoes of a young Elvis when he played the aspiring King of Rock and Roll on the cusp of breaking into the record business. Elvis was an ABC television series that showed the rarely explored early years of Elvis Presley. The show had a brief run in 1990.
St. Gerard's portrayal was not limited to the small screen, however. He played Elvis in a non-speaking role in the 1988 Jerry Lee Lewis biopic Great Balls of Fire.
But the one that started it all was a two-and-a-half tv-movie that aired on February 11, 1979, just two-and-a-half years after the King's death. Kurt Russell starred in Elvis, a highly anticipated tv-movie. Produced by Dick Clark Productions, Elvis captured the imagination of fans still reeling from the King's death on August 16, 1977. John Carpenter directed Elvis. Coincidentally, Elvis' character in the movie Change of Habit was named John Carpenter.
Kurt Russell actually appeared in one of Elvis' movies. In It Happened at the World's Fair, he kicks Elvis in the shins. But the connection between the two men do not end there. In the movie 3000 Miles to Graceland, Kurt Russell plays an Elvis impersonator.
Finally, the 1980's revival of The Twilight Zone gave a twist on Elvis' life, legacy, and allure. In the episode The Once and Future King, an Elvis fanatic and impersonator named Gary has an agent named Sandra. She tells him that she met Elvis during one of his Las Vegas stints when she was 18. After avoiding an accident, Gary somehow travels back in time and meets Elvis in 1954 Memphis. The meeting happens right before Elvis is supposed to record That's All Right, Mama, also known as That's All Right, his initial record.
Elvis believes that Gary is really Jesse Aron Presley or a reincarnation of him. Jesse was Elvis' twin brother who died at birth. When Gary tells Elvis about That's All Right, Mama and the massive success awaiting him, Elvis is simply not interested. He thinks the music that Gary plays is the devil's music. When argument between Gary and Elvis escalates to a violent level, Elvis dies in the fight.
There's only one way out for Gary. Become Elvis. Gary buries him and assumes his identity.
Confession time occurs at the end of the episode set some time during the early 1970's in Las Vegas. Elvis is talking to a groupie. He reveals that he tried to perform the songs and acting roles as closely as he could remember from the original Elvis.
The groupie is Sandra, Gary's agent in his previous life.
The meeting takes place just as she described earlier with Elvis talking for hours and showing signs of paranoia. Only this time, she met with Gary.
Or was it really Elvis?
david@davidkrell.com
Elvis.
More than thirty years have passed since he went to rock and roll heaven in 1977.
And just the mere mention of his name opens a lockbox of tremendous memories.
His movements.
His movies.
His portrayals.
Elvis Presley moved on stage like no other performer before him, swiveling his hips to the delight of teenage girls, the jealousy of their boyfriends, and the fright of their parents.
Elvis’ movies may have been formulaic.
Sing a few songs. Charm a few girls. Win the heart of the female lead.
But he surrounded himself with veteran actors who shouldered the load. In lesser hands, the movies would have been unwatchable instead of simply enjoyable.
Angela Lansbury in Blue Hawaii.
Gary Merrill and James Gregory in Clambake.
Gale Gordon and William Schallert in Speedway.
Portrayals of Elvis on television also add to the King’s legacy by interpreting, explaining, and depicting certain aspects of his life.
Okay. So you may not remember some of them. But they deserve a second look, if for no other reason than a sense of completion in looking at Elvis’ career.
We’ve all seen the black and white footage of Elvis dancing and singing Jailhouse Rock in the 1957 movie of the same name, a precursor to the dance videos that would appear during the early days of MTV twenty-five years later.
But did you see Elvis and the Colonel, a 1993 tv-movie starring Rob Youngblood as Elvis and Beau Bridges as Colonel Tom Parker, the manager and mastermind behind a highly significant part of Elvis' career?
How about Elvis and the Beauty Queen, a 1981 tv-movie starring Stephanie Zimbalist as the King's girlfriend, Linda Thompson, and Don Johnson as Elvis? Zimbalist and Johnson made terrific contributions to NBC's revival as a television network powerhouse in the 1980's. She starred in Remington Steele and he made pastels fashionable in Miami Vice.
In 1988, Dale Midkiff portrayed Elvis in Elvis and Me, a four-hour miniseries told from wife Priscilla Presley's point of view. It was based on the book of the same name that Priscilla wrote with Sandra Harmon.
In 2005, Jonathan Rhys-Meyers played Elvis in another four-hour miniseries simply titled Elvis.
Michael St. Gerard filled the shoes of a young Elvis when he played the aspiring King of Rock and Roll on the cusp of breaking into the record business. Elvis was an ABC television series that showed the rarely explored early years of Elvis Presley. The show had a brief run in 1990.
St. Gerard's portrayal was not limited to the small screen, however. He played Elvis in a non-speaking role in the 1988 Jerry Lee Lewis biopic Great Balls of Fire.
But the one that started it all was a two-and-a-half tv-movie that aired on February 11, 1979, just two-and-a-half years after the King's death. Kurt Russell starred in Elvis, a highly anticipated tv-movie. Produced by Dick Clark Productions, Elvis captured the imagination of fans still reeling from the King's death on August 16, 1977. John Carpenter directed Elvis. Coincidentally, Elvis' character in the movie Change of Habit was named John Carpenter.
Kurt Russell actually appeared in one of Elvis' movies. In It Happened at the World's Fair, he kicks Elvis in the shins. But the connection between the two men do not end there. In the movie 3000 Miles to Graceland, Kurt Russell plays an Elvis impersonator.
Finally, the 1980's revival of The Twilight Zone gave a twist on Elvis' life, legacy, and allure. In the episode The Once and Future King, an Elvis fanatic and impersonator named Gary has an agent named Sandra. She tells him that she met Elvis during one of his Las Vegas stints when she was 18. After avoiding an accident, Gary somehow travels back in time and meets Elvis in 1954 Memphis. The meeting happens right before Elvis is supposed to record That's All Right, Mama, also known as That's All Right, his initial record.
Elvis believes that Gary is really Jesse Aron Presley or a reincarnation of him. Jesse was Elvis' twin brother who died at birth. When Gary tells Elvis about That's All Right, Mama and the massive success awaiting him, Elvis is simply not interested. He thinks the music that Gary plays is the devil's music. When argument between Gary and Elvis escalates to a violent level, Elvis dies in the fight.
There's only one way out for Gary. Become Elvis. Gary buries him and assumes his identity.
Confession time occurs at the end of the episode set some time during the early 1970's in Las Vegas. Elvis is talking to a groupie. He reveals that he tried to perform the songs and acting roles as closely as he could remember from the original Elvis.
The groupie is Sandra, Gary's agent in his previous life.
The meeting takes place just as she described earlier with Elvis talking for hours and showing signs of paranoia. Only this time, she met with Gary.
Or was it really Elvis?
Dennis Franz
July 15, 2009
by David Krell
david@davidkrell.com
Dennis Franz stayed with NYPD Blue for its entire 12-year run from 1993 to 2005.
But before his Emmy-winning turn as Detective Andy Sipowicz, Franz starred in some television series that are long gone and perhaps forgotten.
After the critically acclaimed debut of Hill Street Blues in 1981, NBC aired an even more ambitious ensemble program in 1982 -- Chicago Story.
Each episode was 90 minutes in length.
The stories centered on doctors, cops, and the justice system.
Naturally, Franz played a tough Chicago cop -- Officer Joe Gilland.
Chicago Story did not last, perhaps because of the length of each episode and despite an outstanding cast -- Craig T. Nelson, Maud Adams, Vincent Baggetta, Molly Cheek, Kristoffer Tabori, Daniel Hugh Kelly, Richard Lawson.
In 1983, Franz was part of Steven Bochco's attempt at a baseball-themed ensemble drama. Set in fictional Bay City, California, the short-lived Bay City Blues focused on a AA minor league team, the Bluebirds.
Bay City Blues starred Michael Nouri, Ken Olin, Sharon Stone, and Bernie Casey. Franz played pitching coach Angelo Carbone.
In Bochco's more successful 1980's ensemble drama Hill Street Blues, Franz played two roles.
He first guest starred as dirty cop Sal Benedetto in a multi-episode story arc. After Benedetto's story line ended with his suicide, Bochco brought Franz back to Hill Street Station as Detective Norman Buntz.
Buntz' informant was Sid the Snitch, played by another Bay City Blues alumnus, Peter Jurasik.
The pair offered comic relief and gained enough confidence from NBC to star in a spinoff -- Beverly Hills Buntz.
The show lasted a few episodes in 1987 and featured Buntz opening a private investigation agency in the glamorous southern California locale of Beverly Hills.
In 1989, Franz starred in a 2-hour NBC tv-movie entitled Nasty Boys. The theme song was the popular eponymous song of the day.
Nasty Boys featured an elite undercover narcotics squad in Las Vegas led by Franz' Lieutenant Krieger.
In 1990, NBC expanded Nasty Boys into a television series. Benjamin Bratt of Law & Order also starred.
In addition to these starring roles, Franz' resume includes numerous guest spots -- Hunter, Matlock, The A-Team, Riptide, Simon & Simon, Street Hawk, T.J. Hooker.
Dennis Franz' work on NYPD Blue secured his place in the annals of television history.
But his earlier television work ought not be overlooked.
And the aforementioned shows starring Franz have a common thread with NYPD Blue -- the ensemble.
david@davidkrell.com
Dennis Franz stayed with NYPD Blue for its entire 12-year run from 1993 to 2005.
But before his Emmy-winning turn as Detective Andy Sipowicz, Franz starred in some television series that are long gone and perhaps forgotten.
After the critically acclaimed debut of Hill Street Blues in 1981, NBC aired an even more ambitious ensemble program in 1982 -- Chicago Story.
Each episode was 90 minutes in length.
The stories centered on doctors, cops, and the justice system.
Naturally, Franz played a tough Chicago cop -- Officer Joe Gilland.
Chicago Story did not last, perhaps because of the length of each episode and despite an outstanding cast -- Craig T. Nelson, Maud Adams, Vincent Baggetta, Molly Cheek, Kristoffer Tabori, Daniel Hugh Kelly, Richard Lawson.
In 1983, Franz was part of Steven Bochco's attempt at a baseball-themed ensemble drama. Set in fictional Bay City, California, the short-lived Bay City Blues focused on a AA minor league team, the Bluebirds.
Bay City Blues starred Michael Nouri, Ken Olin, Sharon Stone, and Bernie Casey. Franz played pitching coach Angelo Carbone.
In Bochco's more successful 1980's ensemble drama Hill Street Blues, Franz played two roles.
He first guest starred as dirty cop Sal Benedetto in a multi-episode story arc. After Benedetto's story line ended with his suicide, Bochco brought Franz back to Hill Street Station as Detective Norman Buntz.
Buntz' informant was Sid the Snitch, played by another Bay City Blues alumnus, Peter Jurasik.
The pair offered comic relief and gained enough confidence from NBC to star in a spinoff -- Beverly Hills Buntz.
The show lasted a few episodes in 1987 and featured Buntz opening a private investigation agency in the glamorous southern California locale of Beverly Hills.
In 1989, Franz starred in a 2-hour NBC tv-movie entitled Nasty Boys. The theme song was the popular eponymous song of the day.
Nasty Boys featured an elite undercover narcotics squad in Las Vegas led by Franz' Lieutenant Krieger.
In 1990, NBC expanded Nasty Boys into a television series. Benjamin Bratt of Law & Order also starred.
In addition to these starring roles, Franz' resume includes numerous guest spots -- Hunter, Matlock, The A-Team, Riptide, Simon & Simon, Street Hawk, T.J. Hooker.
Dennis Franz' work on NYPD Blue secured his place in the annals of television history.
But his earlier television work ought not be overlooked.
And the aforementioned shows starring Franz have a common thread with NYPD Blue -- the ensemble.
Boston TV
June 03, 2009
by David Krell
david@davidkrell.com
Boston is a terrific site for television programs.
Where do you go when you want to be where you can see the troubles are all the same and everybody knows your name?
Cheers in Boston -- Cheers.
Where do you go when you want to hire Spenser, the private investigator?
A revamped firehouse turned living quarters in Boston -- Spenser: For Hire.
Where do you go when you need Dr. Marc Craig, an egotistical, egocentric, and egomaniacal heart surgeon who is also a leader in the field of cardiac care?
St. Eligius Hospital in Boston -- St. Elsewhere.
Goodnight Beantown is also set in Boston. This mid-1980's sitcom revolved around a male-female television news anchor team played by Bill Bixby and Mariette Hartley.
Boston Common enjoyed a coveted role on NBC's Thursday night Must See TV lineup in the mid-1990's. The show features stand up comedian Anthony Clark, familiar to fans of Yes, Dear as good-natured, hard-working, and fun-lacking Greg Warner.
Crossing Jordan stars Jill Hennessy of Law & Order fame as a coroner who goes beyond the obvious to solve crimes. The show exists in the same televerse as Las Vegas.
David Kelley's legal trifecta of Ally McBeal, The Practice, and Boston Legal takes place in Kelley's old stomping grounds of Boston. One can trace Kelley's creative roots in the Boston law genre to his 1987 movie From the Hip starring Judd Nelson.
Kelley also created Boston Public, a show about a high school that enjoyed a crossover with The Practice as did Ally McBeal.
George Peppard plays the title role in Banacek, a 1970's show on NBC about an insurance investigator in Boston who receives a percentage of a property's value upon recovering it after a theft.
Two Guys, a Girl, and a Pizza Place, later simply named Two Guys and a Girl, centers around...well, the title says it all. Three platonic twentysomething friends share misadventures, advice, and problems, in college and thereafter.
For the younger set, the Disney Channel's The Suite Life of Zack & Cody takes place in the fictional Tipton Hotel in Boston. Twin boys, Zack and Cody, live in a hotel because their mom is the headline singer and the residence is part of the contract.
HBO made a first in 2006 when it aired its first sitcom, the adult-themed, Boston-set Lucky Louie featuring stand up comedian Louis C. K.
Beyond the racy language, adult themes, and spare apartment set lay a working-class basis that parallels All in the Family and The Honeymooners.
Lucky Louie only aired six episodes in the summer of '06.
Boston is the setting for later episodes of Dawson's Creek when the core characters attend college.
And even though we never saw Boston through his eyes, we certainly heard about it from his nostalgic recounts, the Boston revered by Major Charles Emerson Winchester III on M*A*S*H.
Boston is a great sports town.
Boston is a great history town.
And Boston is a great television town.
david@davidkrell.com
Boston is a terrific site for television programs.
Where do you go when you want to be where you can see the troubles are all the same and everybody knows your name?
Cheers in Boston -- Cheers.
Where do you go when you want to hire Spenser, the private investigator?
A revamped firehouse turned living quarters in Boston -- Spenser: For Hire.
Where do you go when you need Dr. Marc Craig, an egotistical, egocentric, and egomaniacal heart surgeon who is also a leader in the field of cardiac care?
St. Eligius Hospital in Boston -- St. Elsewhere.
Goodnight Beantown is also set in Boston. This mid-1980's sitcom revolved around a male-female television news anchor team played by Bill Bixby and Mariette Hartley.
Boston Common enjoyed a coveted role on NBC's Thursday night Must See TV lineup in the mid-1990's. The show features stand up comedian Anthony Clark, familiar to fans of Yes, Dear as good-natured, hard-working, and fun-lacking Greg Warner.
Crossing Jordan stars Jill Hennessy of Law & Order fame as a coroner who goes beyond the obvious to solve crimes. The show exists in the same televerse as Las Vegas.
David Kelley's legal trifecta of Ally McBeal, The Practice, and Boston Legal takes place in Kelley's old stomping grounds of Boston. One can trace Kelley's creative roots in the Boston law genre to his 1987 movie From the Hip starring Judd Nelson.
Kelley also created Boston Public, a show about a high school that enjoyed a crossover with The Practice as did Ally McBeal.
George Peppard plays the title role in Banacek, a 1970's show on NBC about an insurance investigator in Boston who receives a percentage of a property's value upon recovering it after a theft.
Two Guys, a Girl, and a Pizza Place, later simply named Two Guys and a Girl, centers around...well, the title says it all. Three platonic twentysomething friends share misadventures, advice, and problems, in college and thereafter.
For the younger set, the Disney Channel's The Suite Life of Zack & Cody takes place in the fictional Tipton Hotel in Boston. Twin boys, Zack and Cody, live in a hotel because their mom is the headline singer and the residence is part of the contract.
HBO made a first in 2006 when it aired its first sitcom, the adult-themed, Boston-set Lucky Louie featuring stand up comedian Louis C. K.
Beyond the racy language, adult themes, and spare apartment set lay a working-class basis that parallels All in the Family and The Honeymooners.
Lucky Louie only aired six episodes in the summer of '06.
Boston is the setting for later episodes of Dawson's Creek when the core characters attend college.
And even though we never saw Boston through his eyes, we certainly heard about it from his nostalgic recounts, the Boston revered by Major Charles Emerson Winchester III on M*A*S*H.
Boston is a great sports town.
Boston is a great history town.
And Boston is a great television town.