Must See TV
Thursday Nights at 10pm
November 27, 2009
by David Krell
david@davidkrell.com
Now that The Jay Leno Show is in the 10 pm time slot on NBC, a look back at Thursday nights at 10 on the Peacock Network reveals an amazing consistency of quality for nearly thirty years.
Hill Street Blues debuted in 1981 and changed the production of television drama.
Story lines became story arcs and lasted several episodes.
Moving cameras shifted seamlessly from one set of characters having a conversation to another set of characters. Gone were standard cuts.
And sometimes the good guys lost.
Hill Street Blues focused on the gritty, tough, and somewhat chaotic life in an unnamed metropolitan precinct, specifically, an area known as ‘The Hill.’ However, early visual evidence indicates Chicago and early dialogue indicates New York City.
Created by Steven Bochco and Michael Kozoll, Hill Street Blues ended its run in 1987.
Just a year prior, L.A. Law premiered in the Friday at 10 pm time slot following Miami Vice. Steven Bochco teamed with Terry Louise Fisher to create this show about yuppie lawyers in Los Angeles.
When Hill Street Blues ended, L.A. Law took its Thursday at 10 pm time slot and enjoyed a successful tenure until its end in 1994. Eight years of serious legal issues, comical legal issues, and everyday legal issues.
ER continued the tradition of quality drama. It captivated the audience immediately upon its debut in September 1994. And it secured the NBC Must See TV Thursday night programming block.
Revived from an old movie script by Michael Crichton, the ER pilot showed life in a Chicago emergency room on Saint Patrick’s Day.
Casts changed. Characters died. Quality continued.
For fifteen years.
An astounding record for a television show.
Hill Street Blues, L.A. Law, and ER won several Emmy awards, broke ground in the issues they covered and how they covered them, and captured our hearts.
For twenty-eight years, from 1981 to 2009
From Captain Frank Furillo’s leadership to Sergeant Phil Esterhaus’ avuncular delivery at Roll Call.
From Arnie Becker’s sleazy tactics as McKenzie Brackman’s family law attorney to Arnie Becker’s heart of gold in acting like a big brother at times to mentally retarded office worker Benny.
From Mark Greene’s quiet determination to practice emergency medicine in the face of massive bureaucracy, office politics, and budget concerns to John Carter’s slow emergence from clueless intern to confident ER chief.
And hey, one more thing -- Let’s be careful out there.
david@davidkrell.com
Now that The Jay Leno Show is in the 10 pm time slot on NBC, a look back at Thursday nights at 10 on the Peacock Network reveals an amazing consistency of quality for nearly thirty years.
Hill Street Blues debuted in 1981 and changed the production of television drama.
Story lines became story arcs and lasted several episodes.
Moving cameras shifted seamlessly from one set of characters having a conversation to another set of characters. Gone were standard cuts.
And sometimes the good guys lost.
Hill Street Blues focused on the gritty, tough, and somewhat chaotic life in an unnamed metropolitan precinct, specifically, an area known as ‘The Hill.’ However, early visual evidence indicates Chicago and early dialogue indicates New York City.
Created by Steven Bochco and Michael Kozoll, Hill Street Blues ended its run in 1987.
Just a year prior, L.A. Law premiered in the Friday at 10 pm time slot following Miami Vice. Steven Bochco teamed with Terry Louise Fisher to create this show about yuppie lawyers in Los Angeles.
When Hill Street Blues ended, L.A. Law took its Thursday at 10 pm time slot and enjoyed a successful tenure until its end in 1994. Eight years of serious legal issues, comical legal issues, and everyday legal issues.
ER continued the tradition of quality drama. It captivated the audience immediately upon its debut in September 1994. And it secured the NBC Must See TV Thursday night programming block.
Revived from an old movie script by Michael Crichton, the ER pilot showed life in a Chicago emergency room on Saint Patrick’s Day.
Casts changed. Characters died. Quality continued.
For fifteen years.
An astounding record for a television show.
Hill Street Blues, L.A. Law, and ER won several Emmy awards, broke ground in the issues they covered and how they covered them, and captured our hearts.
For twenty-eight years, from 1981 to 2009
From Captain Frank Furillo’s leadership to Sergeant Phil Esterhaus’ avuncular delivery at Roll Call.
From Arnie Becker’s sleazy tactics as McKenzie Brackman’s family law attorney to Arnie Becker’s heart of gold in acting like a big brother at times to mentally retarded office worker Benny.
From Mark Greene’s quiet determination to practice emergency medicine in the face of massive bureaucracy, office politics, and budget concerns to John Carter’s slow emergence from clueless intern to confident ER chief.
And hey, one more thing -- Let’s be careful out there.
The Ultimate TV Network
July 21, 2009
by David Krell
david@davidkrell.com
If I created the ultimate television network, the prime time program lineup would probably look like this:
On Sunday, I would start with the legends. I Love Lucy at 8:00pm followed by The Jack Benny Program at 8:30pm.
The pairing makes sense since Lucille Ball and Jack Benny were not only show business icons, but also neighbors in real life. They lived next door to each other on North Roxbury Drive in Beverly Hills.
Then, we turn to the rural heavyweights. The Andy Griffith Show at 9:00pm and The Beverly Hillbillies at 9:30pm.
Sunday nights should be nice and easy, after all. And what's nicer and easier than our friends in Mayberry and the hillbilly transplants to the land of Rodeo Drive?
At 10:00pm, The Sopranos.
On Monday nights, I would pair The Dick Van Dyke Show and Mary Tyler Moore in the 8 o'clock hour, followed by M*A*S*H and Murphy Brown in the 9 o'clock hour.
At 10:00pm, St. Elsewhere.
Tuesday nights would start with family comedy. The Cosby Show and Family Ties 8:00pm and 8:30pm respectively.
Everybody Loves Raymond at 9:00pm and Two and a Half Men at 9:30pm.
At 10:00pm, Law & Order.
Wednesday nights would start with sophistication.
Frasier at 8:00pm and The Odd Couple at 8:30pm. I'm sure Felix Unger would have enjoyed talking wine, opera, and art with the Crane brothers.
The 9 o'clock hour would consist of You'll Never Get Rich starring Phil Silvers as Sergeant Bilko and The Twilight Zone.
At 10:00pm, Hill Street Blues.
Of course, Thursday nights would truly be Must See TV with Cheers, Taxi, Seinfeld, and Friends followed by ER at 10:00pm.
Friday night would be another family-friendly night, starting with The Brady Bunch at 8:00pm and The Wonder Years at 8:30pm.
At 9:00pm, Friday Night Lights, a depiction of a west Texas town obsessed with high school football.
At 10:00pm, The Wire.
Saturday night begins with cartoons.
The Simpsons at 8:00pm and King of the Hill at 8:30pm.
The Honeymooners at 9:00pm and Curb Your Enthusiasm at 9:30pm.
At 10:00pm, Homicide: Life on the Street, an undervalued, underrated, and underwatched program during its tenure on NBC in the 1990's.
Reasonable minds can differ.
Should Happy Days be in the lineup instead of The Brady Bunch?
What about L.A. Law, thirtysomething, Scrubs, or All in the Family?
What's the standard for making the linuep?
All good questions.
For now, it's merely instinctive.
Programs can be replaced.
Or I can start another network.
david@davidkrell.com
If I created the ultimate television network, the prime time program lineup would probably look like this:
On Sunday, I would start with the legends. I Love Lucy at 8:00pm followed by The Jack Benny Program at 8:30pm.
The pairing makes sense since Lucille Ball and Jack Benny were not only show business icons, but also neighbors in real life. They lived next door to each other on North Roxbury Drive in Beverly Hills.
Then, we turn to the rural heavyweights. The Andy Griffith Show at 9:00pm and The Beverly Hillbillies at 9:30pm.
Sunday nights should be nice and easy, after all. And what's nicer and easier than our friends in Mayberry and the hillbilly transplants to the land of Rodeo Drive?
At 10:00pm, The Sopranos.
On Monday nights, I would pair The Dick Van Dyke Show and Mary Tyler Moore in the 8 o'clock hour, followed by M*A*S*H and Murphy Brown in the 9 o'clock hour.
At 10:00pm, St. Elsewhere.
Tuesday nights would start with family comedy. The Cosby Show and Family Ties 8:00pm and 8:30pm respectively.
Everybody Loves Raymond at 9:00pm and Two and a Half Men at 9:30pm.
At 10:00pm, Law & Order.
Wednesday nights would start with sophistication.
Frasier at 8:00pm and The Odd Couple at 8:30pm. I'm sure Felix Unger would have enjoyed talking wine, opera, and art with the Crane brothers.
The 9 o'clock hour would consist of You'll Never Get Rich starring Phil Silvers as Sergeant Bilko and The Twilight Zone.
At 10:00pm, Hill Street Blues.
Of course, Thursday nights would truly be Must See TV with Cheers, Taxi, Seinfeld, and Friends followed by ER at 10:00pm.
Friday night would be another family-friendly night, starting with The Brady Bunch at 8:00pm and The Wonder Years at 8:30pm.
At 9:00pm, Friday Night Lights, a depiction of a west Texas town obsessed with high school football.
At 10:00pm, The Wire.
Saturday night begins with cartoons.
The Simpsons at 8:00pm and King of the Hill at 8:30pm.
The Honeymooners at 9:00pm and Curb Your Enthusiasm at 9:30pm.
At 10:00pm, Homicide: Life on the Street, an undervalued, underrated, and underwatched program during its tenure on NBC in the 1990's.
Reasonable minds can differ.
Should Happy Days be in the lineup instead of The Brady Bunch?
What about L.A. Law, thirtysomething, Scrubs, or All in the Family?
What's the standard for making the linuep?
All good questions.
For now, it's merely instinctive.
Programs can be replaced.
Or I can start another network.
Boston TV
June 03, 2009
by David Krell
david@davidkrell.com
Boston is a terrific site for television programs.
Where do you go when you want to be where you can see the troubles are all the same and everybody knows your name?
Cheers in Boston -- Cheers.
Where do you go when you want to hire Spenser, the private investigator?
A revamped firehouse turned living quarters in Boston -- Spenser: For Hire.
Where do you go when you need Dr. Marc Craig, an egotistical, egocentric, and egomaniacal heart surgeon who is also a leader in the field of cardiac care?
St. Eligius Hospital in Boston -- St. Elsewhere.
Goodnight Beantown is also set in Boston. This mid-1980's sitcom revolved around a male-female television news anchor team played by Bill Bixby and Mariette Hartley.
Boston Common enjoyed a coveted role on NBC's Thursday night Must See TV lineup in the mid-1990's. The show features stand up comedian Anthony Clark, familiar to fans of Yes, Dear as good-natured, hard-working, and fun-lacking Greg Warner.
Crossing Jordan stars Jill Hennessy of Law & Order fame as a coroner who goes beyond the obvious to solve crimes. The show exists in the same televerse as Las Vegas.
David Kelley's legal trifecta of Ally McBeal, The Practice, and Boston Legal takes place in Kelley's old stomping grounds of Boston. One can trace Kelley's creative roots in the Boston law genre to his 1987 movie From the Hip starring Judd Nelson.
Kelley also created Boston Public, a show about a high school that enjoyed a crossover with The Practice as did Ally McBeal.
George Peppard plays the title role in Banacek, a 1970's show on NBC about an insurance investigator in Boston who receives a percentage of a property's value upon recovering it after a theft.
Two Guys, a Girl, and a Pizza Place, later simply named Two Guys and a Girl, centers around...well, the title says it all. Three platonic twentysomething friends share misadventures, advice, and problems, in college and thereafter.
For the younger set, the Disney Channel's The Suite Life of Zack & Cody takes place in the fictional Tipton Hotel in Boston. Twin boys, Zack and Cody, live in a hotel because their mom is the headline singer and the residence is part of the contract.
HBO made a first in 2006 when it aired its first sitcom, the adult-themed, Boston-set Lucky Louie featuring stand up comedian Louis C. K.
Beyond the racy language, adult themes, and spare apartment set lay a working-class basis that parallels All in the Family and The Honeymooners.
Lucky Louie only aired six episodes in the summer of '06.
Boston is the setting for later episodes of Dawson's Creek when the core characters attend college.
And even though we never saw Boston through his eyes, we certainly heard about it from his nostalgic recounts, the Boston revered by Major Charles Emerson Winchester III on M*A*S*H.
Boston is a great sports town.
Boston is a great history town.
And Boston is a great television town.
david@davidkrell.com
Boston is a terrific site for television programs.
Where do you go when you want to be where you can see the troubles are all the same and everybody knows your name?
Cheers in Boston -- Cheers.
Where do you go when you want to hire Spenser, the private investigator?
A revamped firehouse turned living quarters in Boston -- Spenser: For Hire.
Where do you go when you need Dr. Marc Craig, an egotistical, egocentric, and egomaniacal heart surgeon who is also a leader in the field of cardiac care?
St. Eligius Hospital in Boston -- St. Elsewhere.
Goodnight Beantown is also set in Boston. This mid-1980's sitcom revolved around a male-female television news anchor team played by Bill Bixby and Mariette Hartley.
Boston Common enjoyed a coveted role on NBC's Thursday night Must See TV lineup in the mid-1990's. The show features stand up comedian Anthony Clark, familiar to fans of Yes, Dear as good-natured, hard-working, and fun-lacking Greg Warner.
Crossing Jordan stars Jill Hennessy of Law & Order fame as a coroner who goes beyond the obvious to solve crimes. The show exists in the same televerse as Las Vegas.
David Kelley's legal trifecta of Ally McBeal, The Practice, and Boston Legal takes place in Kelley's old stomping grounds of Boston. One can trace Kelley's creative roots in the Boston law genre to his 1987 movie From the Hip starring Judd Nelson.
Kelley also created Boston Public, a show about a high school that enjoyed a crossover with The Practice as did Ally McBeal.
George Peppard plays the title role in Banacek, a 1970's show on NBC about an insurance investigator in Boston who receives a percentage of a property's value upon recovering it after a theft.
Two Guys, a Girl, and a Pizza Place, later simply named Two Guys and a Girl, centers around...well, the title says it all. Three platonic twentysomething friends share misadventures, advice, and problems, in college and thereafter.
For the younger set, the Disney Channel's The Suite Life of Zack & Cody takes place in the fictional Tipton Hotel in Boston. Twin boys, Zack and Cody, live in a hotel because their mom is the headline singer and the residence is part of the contract.
HBO made a first in 2006 when it aired its first sitcom, the adult-themed, Boston-set Lucky Louie featuring stand up comedian Louis C. K.
Beyond the racy language, adult themes, and spare apartment set lay a working-class basis that parallels All in the Family and The Honeymooners.
Lucky Louie only aired six episodes in the summer of '06.
Boston is the setting for later episodes of Dawson's Creek when the core characters attend college.
And even though we never saw Boston through his eyes, we certainly heard about it from his nostalgic recounts, the Boston revered by Major Charles Emerson Winchester III on M*A*S*H.
Boston is a great sports town.
Boston is a great history town.
And Boston is a great television town.
Seinfeld
June 01, 2009
by David Krell
david@davidkrell.com
Seinfeld left network television on May 14, 1998.
On that date, we said goodbye to Jerry, Elaine, George, and Kramer.
We said goodbye to puffy shirts, Kramerica Industries, and Newman.
We said goodbye to a timeless comedy that had the powerhouse Must See TV Thursday 9:00 pm time slot (8:00 pm in the Midwest).
Through reruns, DVD, and the Internet, we can relive the adventures of George wanting to be an architect, Kramer creating elaborate business schemes, and Elaine searching for the perfect mate.
The final episode of Seinfeld places the central four characters in the small town of Latham, Massachusetts after a forced emergency landing derails their plane ride to Paris.
They fight charges of breaking a Good Samaritan law by failing to help an overweight victim of a mugging.
Familiar faces from past Seinfeld episodes testify for the district attorney. They attack the character of the comedian, his neurotic friend from childhood, his girlfriend turned platonic friend, and his hipster doofus neighbor.
Bookman. The library cop who tracked Jerry down after twenty years for not returning a Henry James book to the New York Public Library.
George Steinbrenner. New York Yankees owner and George Costanza's boss.
Arthur Vandelay. Yes, George's favorite moniker of "Art Vandelay" actually belongs to the judge presiding over the case.
Naturally, the Jackie Chiles character inspired by famed attorney Johnnie Cochran provides the legal defense. Phil Morris inimitably plays Jackie Chiles.
The episode ends with the four characters going to prison. The episode tag shows Jerry doing standup comedy for his new prison friends. It's a nod to the Seinfeld episode structure that showed Jerry performing at a nightclub with the jokes relating to the episode story. In later years, Seinfeld dropped the tag from the episodes.
In the end, the show about nothing gave its characters a comeuppance because they did nothing.
Self-absorbed?
Sure.
Egotistical?
You bet.
Selfish?
Affirmative.
But what would life be like for the gang in prison? Would things be any different?
Would George continue to come up with schemes, perhaps to outsmart security and smuggle in food?
Would Elaine continue on her quest to find true love, perhaps with the warden or another female prisoner if she "switches teams?"
Would Kramer continue his wild entrances, perhaps into Jerry's cell?
Would Jerry continue his observations of the mundane and translate them into the hysterical?
For example, what is the deal with prison food?
david@davidkrell.com
Seinfeld left network television on May 14, 1998.
On that date, we said goodbye to Jerry, Elaine, George, and Kramer.
We said goodbye to puffy shirts, Kramerica Industries, and Newman.
We said goodbye to a timeless comedy that had the powerhouse Must See TV Thursday 9:00 pm time slot (8:00 pm in the Midwest).
Through reruns, DVD, and the Internet, we can relive the adventures of George wanting to be an architect, Kramer creating elaborate business schemes, and Elaine searching for the perfect mate.
The final episode of Seinfeld places the central four characters in the small town of Latham, Massachusetts after a forced emergency landing derails their plane ride to Paris.
They fight charges of breaking a Good Samaritan law by failing to help an overweight victim of a mugging.
Familiar faces from past Seinfeld episodes testify for the district attorney. They attack the character of the comedian, his neurotic friend from childhood, his girlfriend turned platonic friend, and his hipster doofus neighbor.
Bookman. The library cop who tracked Jerry down after twenty years for not returning a Henry James book to the New York Public Library.
George Steinbrenner. New York Yankees owner and George Costanza's boss.
Arthur Vandelay. Yes, George's favorite moniker of "Art Vandelay" actually belongs to the judge presiding over the case.
Naturally, the Jackie Chiles character inspired by famed attorney Johnnie Cochran provides the legal defense. Phil Morris inimitably plays Jackie Chiles.
The episode ends with the four characters going to prison. The episode tag shows Jerry doing standup comedy for his new prison friends. It's a nod to the Seinfeld episode structure that showed Jerry performing at a nightclub with the jokes relating to the episode story. In later years, Seinfeld dropped the tag from the episodes.
In the end, the show about nothing gave its characters a comeuppance because they did nothing.
Self-absorbed?
Sure.
Egotistical?
You bet.
Selfish?
Affirmative.
But what would life be like for the gang in prison? Would things be any different?
Would George continue to come up with schemes, perhaps to outsmart security and smuggle in food?
Would Elaine continue on her quest to find true love, perhaps with the warden or another female prisoner if she "switches teams?"
Would Kramer continue his wild entrances, perhaps into Jerry's cell?
Would Jerry continue his observations of the mundane and translate them into the hysterical?
For example, what is the deal with prison food?
Heeere's Conan!
May 29, 2009
by David Krell
david@davidkrell.com
Tonight is Jay Leno's last night as host of The Tonight Show.
Leno enjoyed great success because of his immense dedication to the craft of comedy, a Must See TV lineup lead-in with powerhouses Law & Order, Law & Order: SVU, Friends, Seinfeld, and ER, and a 1995 appearance by Hugh Grant after his arrest for soliciting a prostitute that turbocharged ratings.
But great success came with a cost. Leno's tenure at The Tonight Show will be forever marked by intense competition with Late Show with David Letterman preceded by the confusion over which comedian would succeed Johnny Carson. Additionally, the furor created by Leno's manager Helen Kushnick when she was the initial Executive Producer of The Tonight Show triggered her dismissal only four months into the show. A seventeen-year relationship between the likable comedian and tough entertainment manager evaporated. This, after building Jay Leno's career, increasing his exposure, and taking him from small clubs to the most coveted job in comedy.
Leno will be gone from late night after tonight's broadcast, but not from NBC. In a few months, we will see him on prime time as the host of a Monday-Friday 10:00 pm show (9:00 pm in the Midwest).
Ironically, this is the same time slot that NBC offered to David Letterman after they gave The Tonight Show to Jay Leno. Letterman refused and went to CBS.
A Jay Leno talk-variety show in prime time will be cheaper to produce with more original shows than a drama. But is NBC foregoing potential licensing dollars by not investing in a drama?
To put a spin on a well-known phrase, prime time will tell.
Conan O'Brien takes the baton of The Tonight Show on Monday, June 1st.
david@davidkrell.com
Tonight is Jay Leno's last night as host of The Tonight Show.
Leno enjoyed great success because of his immense dedication to the craft of comedy, a Must See TV lineup lead-in with powerhouses Law & Order, Law & Order: SVU, Friends, Seinfeld, and ER, and a 1995 appearance by Hugh Grant after his arrest for soliciting a prostitute that turbocharged ratings.
But great success came with a cost. Leno's tenure at The Tonight Show will be forever marked by intense competition with Late Show with David Letterman preceded by the confusion over which comedian would succeed Johnny Carson. Additionally, the furor created by Leno's manager Helen Kushnick when she was the initial Executive Producer of The Tonight Show triggered her dismissal only four months into the show. A seventeen-year relationship between the likable comedian and tough entertainment manager evaporated. This, after building Jay Leno's career, increasing his exposure, and taking him from small clubs to the most coveted job in comedy.
Leno will be gone from late night after tonight's broadcast, but not from NBC. In a few months, we will see him on prime time as the host of a Monday-Friday 10:00 pm show (9:00 pm in the Midwest).
Ironically, this is the same time slot that NBC offered to David Letterman after they gave The Tonight Show to Jay Leno. Letterman refused and went to CBS.
A Jay Leno talk-variety show in prime time will be cheaper to produce with more original shows than a drama. But is NBC foregoing potential licensing dollars by not investing in a drama?
To put a spin on a well-known phrase, prime time will tell.
Conan O'Brien takes the baton of The Tonight Show on Monday, June 1st.