Scrubs
Double Rush
February 18, 2010
by David Krell
david@davidkrell.com
Double Rush was a short-lived sitcom on CBS that aired from January to April 1995.
Stephen Nathan and Diane English created the show.
Its setting was familiar -- the workplace.
Cheers had the bar in Boston where everybody knows your name.
WKRP in Cincinnati had a rock and roll radio station in the Queen City.
And Double Rush had a bicycle messenger service in Manhattan named Double Rush.
The owner is would-be rock musician Johnny Verona, played by Robert Pastorelli.
Pastorelli earned the respect, laughter, and loyalty of fans of Murphy Brown as Eldin Bernecky, the house painter who constantly created new projects for Murphy’s home.
Corinne Bohrer plays the practical-minded Harvard Business School grad Zoe Fuller, a good complement and potential love interest for Johnny.
There is a dynamic between dreamer Johnny and intellectual yet unfulfilled Zoe that is reminiscent of Sam and Diane on Cheers.
Double Rush was funny. Its characters were well-defined. And its supporting cast was solid.
D.L. Hughley, Adam Goldberg, and David Arquette play bike messengers.
Sam Lloyd plays dispatcher Barkley. You may know him as Ted Buckland, the attorney for Sacred Heart Hospital on Scrubs.
Veteran comedic character actor Phil Leeds plays veteran bike messenger The Kid.
In the pilot, we learn that Johnny won’t sell Double Rush to a competitor because if he does, the competitor will lay off the messengers.
We also learn that Johnny’s loyalty is inherent. Twenty-five years prior, Johnny had the opportunity to sign with a record label. But the label only wanted Johnny, not his band mates.
Johnny wouldn’t sign without them, so he continued his bike messenger job to pay the bills. Eventually, he bought Double Rush.
Despite the cast and writing, Double Rush did not live to see the Fall 1995 lineup.
david@davidkrell.com
Double Rush was a short-lived sitcom on CBS that aired from January to April 1995.
Stephen Nathan and Diane English created the show.
Its setting was familiar -- the workplace.
Cheers had the bar in Boston where everybody knows your name.
WKRP in Cincinnati had a rock and roll radio station in the Queen City.
And Double Rush had a bicycle messenger service in Manhattan named Double Rush.
The owner is would-be rock musician Johnny Verona, played by Robert Pastorelli.
Pastorelli earned the respect, laughter, and loyalty of fans of Murphy Brown as Eldin Bernecky, the house painter who constantly created new projects for Murphy’s home.
Corinne Bohrer plays the practical-minded Harvard Business School grad Zoe Fuller, a good complement and potential love interest for Johnny.
There is a dynamic between dreamer Johnny and intellectual yet unfulfilled Zoe that is reminiscent of Sam and Diane on Cheers.
Double Rush was funny. Its characters were well-defined. And its supporting cast was solid.
D.L. Hughley, Adam Goldberg, and David Arquette play bike messengers.
Sam Lloyd plays dispatcher Barkley. You may know him as Ted Buckland, the attorney for Sacred Heart Hospital on Scrubs.
Veteran comedic character actor Phil Leeds plays veteran bike messenger The Kid.
In the pilot, we learn that Johnny won’t sell Double Rush to a competitor because if he does, the competitor will lay off the messengers.
We also learn that Johnny’s loyalty is inherent. Twenty-five years prior, Johnny had the opportunity to sign with a record label. But the label only wanted Johnny, not his band mates.
Johnny wouldn’t sign without them, so he continued his bike messenger job to pay the bills. Eventually, he bought Double Rush.
Despite the cast and writing, Double Rush did not live to see the Fall 1995 lineup.
The Ultimate TV Network
July 21, 2009
by David Krell
david@davidkrell.com
If I created the ultimate television network, the prime time program lineup would probably look like this:
On Sunday, I would start with the legends. I Love Lucy at 8:00pm followed by The Jack Benny Program at 8:30pm.
The pairing makes sense since Lucille Ball and Jack Benny were not only show business icons, but also neighbors in real life. They lived next door to each other on North Roxbury Drive in Beverly Hills.
Then, we turn to the rural heavyweights. The Andy Griffith Show at 9:00pm and The Beverly Hillbillies at 9:30pm.
Sunday nights should be nice and easy, after all. And what's nicer and easier than our friends in Mayberry and the hillbilly transplants to the land of Rodeo Drive?
At 10:00pm, The Sopranos.
On Monday nights, I would pair The Dick Van Dyke Show and Mary Tyler Moore in the 8 o'clock hour, followed by M*A*S*H and Murphy Brown in the 9 o'clock hour.
At 10:00pm, St. Elsewhere.
Tuesday nights would start with family comedy. The Cosby Show and Family Ties 8:00pm and 8:30pm respectively.
Everybody Loves Raymond at 9:00pm and Two and a Half Men at 9:30pm.
At 10:00pm, Law & Order.
Wednesday nights would start with sophistication.
Frasier at 8:00pm and The Odd Couple at 8:30pm. I'm sure Felix Unger would have enjoyed talking wine, opera, and art with the Crane brothers.
The 9 o'clock hour would consist of You'll Never Get Rich starring Phil Silvers as Sergeant Bilko and The Twilight Zone.
At 10:00pm, Hill Street Blues.
Of course, Thursday nights would truly be Must See TV with Cheers, Taxi, Seinfeld, and Friends followed by ER at 10:00pm.
Friday night would be another family-friendly night, starting with The Brady Bunch at 8:00pm and The Wonder Years at 8:30pm.
At 9:00pm, Friday Night Lights, a depiction of a west Texas town obsessed with high school football.
At 10:00pm, The Wire.
Saturday night begins with cartoons.
The Simpsons at 8:00pm and King of the Hill at 8:30pm.
The Honeymooners at 9:00pm and Curb Your Enthusiasm at 9:30pm.
At 10:00pm, Homicide: Life on the Street, an undervalued, underrated, and underwatched program during its tenure on NBC in the 1990's.
Reasonable minds can differ.
Should Happy Days be in the lineup instead of The Brady Bunch?
What about L.A. Law, thirtysomething, Scrubs, or All in the Family?
What's the standard for making the linuep?
All good questions.
For now, it's merely instinctive.
Programs can be replaced.
Or I can start another network.
david@davidkrell.com
If I created the ultimate television network, the prime time program lineup would probably look like this:
On Sunday, I would start with the legends. I Love Lucy at 8:00pm followed by The Jack Benny Program at 8:30pm.
The pairing makes sense since Lucille Ball and Jack Benny were not only show business icons, but also neighbors in real life. They lived next door to each other on North Roxbury Drive in Beverly Hills.
Then, we turn to the rural heavyweights. The Andy Griffith Show at 9:00pm and The Beverly Hillbillies at 9:30pm.
Sunday nights should be nice and easy, after all. And what's nicer and easier than our friends in Mayberry and the hillbilly transplants to the land of Rodeo Drive?
At 10:00pm, The Sopranos.
On Monday nights, I would pair The Dick Van Dyke Show and Mary Tyler Moore in the 8 o'clock hour, followed by M*A*S*H and Murphy Brown in the 9 o'clock hour.
At 10:00pm, St. Elsewhere.
Tuesday nights would start with family comedy. The Cosby Show and Family Ties 8:00pm and 8:30pm respectively.
Everybody Loves Raymond at 9:00pm and Two and a Half Men at 9:30pm.
At 10:00pm, Law & Order.
Wednesday nights would start with sophistication.
Frasier at 8:00pm and The Odd Couple at 8:30pm. I'm sure Felix Unger would have enjoyed talking wine, opera, and art with the Crane brothers.
The 9 o'clock hour would consist of You'll Never Get Rich starring Phil Silvers as Sergeant Bilko and The Twilight Zone.
At 10:00pm, Hill Street Blues.
Of course, Thursday nights would truly be Must See TV with Cheers, Taxi, Seinfeld, and Friends followed by ER at 10:00pm.
Friday night would be another family-friendly night, starting with The Brady Bunch at 8:00pm and The Wonder Years at 8:30pm.
At 9:00pm, Friday Night Lights, a depiction of a west Texas town obsessed with high school football.
At 10:00pm, The Wire.
Saturday night begins with cartoons.
The Simpsons at 8:00pm and King of the Hill at 8:30pm.
The Honeymooners at 9:00pm and Curb Your Enthusiasm at 9:30pm.
At 10:00pm, Homicide: Life on the Street, an undervalued, underrated, and underwatched program during its tenure on NBC in the 1990's.
Reasonable minds can differ.
Should Happy Days be in the lineup instead of The Brady Bunch?
What about L.A. Law, thirtysomething, Scrubs, or All in the Family?
What's the standard for making the linuep?
All good questions.
For now, it's merely instinctive.
Programs can be replaced.
Or I can start another network.