Superman
Archie: The First Fifty Years
November 18, 2009
by David Krell
david@davidkrell.com
(This entry is an abridged version of an article featuring Archie. For the expanded article, click here.)
He doesn’t have superpowers resulting from a yellow sun like Superman or a radioactive spider bite like Spiderman.
He’s not a quasi-vigilante hero avenging the death of loved ones like Batman or the Lone Ranger.
And he never saved the universe like Flash Gordon or Buck Rogers.
In fact, his extraordinary characteristics appear to be his uncanny ability to get in trouble and his immense inability to choose between two extremely attractive girls.
Who is this mere mortal?
Archie Andrews, of course. The All-American Teenager and Riverdale’s favorite son.
As the United States entered World War II in December of 1941, Archie debuted in Pep #22 as a supporting feature. This initial Archie story also features Jughead and Betty.
MLJ Comics published Pep, the arena for its contribution to the superhero genre -- The Shield. Three publishing colleagues formed MLJ. They named the company after their initials -- Maurice Coyne, Louis Silberkleit, and John Goldwater complemented each other with their experience as an accountant, publisher, and reporter/editor respectively.
Artist Bob Montana gave the Archie universe its center. He drew upon his own experiences growing up in Haverhill, Massachusetts.
Bob Montana drew. Vic Bloom wrote. Harry Shorten edited.
Truth be told, though, Montana gave the Archie stories their heart, soul, and ultimate appeal.
In the retrospective book Archie: The First 50 Years, Charles Phillips credits Montana.
A rootless child who loved his high school years, Montana gave more than the statue of The Thinker, the hometown soda shop, and a number of his teenage pals to Riverdale. He gave the strip the emotional strength of his own nostalgia to create an idealized picture of teenage life that we all recognize but none of us quite lived.
Montana and the creative team behind Archie added new characters in the adventures of Riverdale’s red-headed Romeo. Waldo Weatherbee -- Riverdale High School’s beloved, bald, benign principal -- first appeared in Jackpot #5 (Spring 1942). The story contains the mainstay Archie elements of slapstick, Weatherbee’s rotund shape, and Archie’s penchant for getting in hot water with “the Bee.”
Jackpot #5 also introduces, albeit briefly, Reggie Mantle.
Pep #26 (April 1942) introduces rich girl Veronica Lodge and compares her to Egypt’s Cleopatra and Hollywood’s Hedy Lamarr. Although Pep #26 showcases Veronica’s first appearance, Archie #1 (Winter 1942) revisits the origin of Veronica in the story Prom Pranks.
Prom Pranks sets the foundation for a well-known Archie hallmark -- the Archie-Veronica-Betty love triangle.
Where familiar themes provide reliability, stability, and continuity, signs of the times reflect an ever-changing society. They continually challenge Archie writers to pace fads, norms, and popular culture.
In the 1950’s, Archie stories frequently paralleled benchmarks of the rock and roll decade -- hula hoops, sock hops, beatniks.
Celebrities, fictional and real, also enjoy depictions in Archie stories -- Elvis Presley, Fonzie, Tom Cruise.
Social conscience features prominently in one story from the 1970’s -- A Matter of Prejudice. The story sends a powerful message about the dangers of prejudging the views of others. When Veronica explains that some of Archie’s friends are not welcome at her party because they simply don’t fit in, Archie immediately thinks the reference points to Chuck Clayton, a black student at Riverdale High.
In fact, Veronica likes Chuck. She declares, He’s welcome at my house any time he pleases to come.
Jughead, on the other hand, needs to change his slovenly ways for the party. Chuck and Archie tell him that Veronica is prejudiced...against slobs!
Expanding into other media was inevitable for the Archieverse. It occurred almost from the beginning. Archie and the gang found success on a radio program in the 1940’s.
In the late 1960’s and throughout the 1970’s, Archie characters found success in Saturday morning animation.
In 1978, two live-action music and comedy specials on ABC featured the characters. Dennis Bowen plays Archie.
Riverdale High’s 15-year reunion served as the basis for the 1990 NBC tv-movie To Riverdale and Back. Archie returned to Riverdale, reunited with friends, and reignited passions for Betty and Veronica. This time, he’s in Riverdale to stay. But the choice between Veronica and Betty remains undecided.
Some things never change.
The best things never do.
(For an expanded article on Archie, click here.)
david@davidkrell.com
(This entry is an abridged version of an article featuring Archie. For the expanded article, click here.)
He doesn’t have superpowers resulting from a yellow sun like Superman or a radioactive spider bite like Spiderman.
He’s not a quasi-vigilante hero avenging the death of loved ones like Batman or the Lone Ranger.
And he never saved the universe like Flash Gordon or Buck Rogers.
In fact, his extraordinary characteristics appear to be his uncanny ability to get in trouble and his immense inability to choose between two extremely attractive girls.
Who is this mere mortal?
Archie Andrews, of course. The All-American Teenager and Riverdale’s favorite son.
As the United States entered World War II in December of 1941, Archie debuted in Pep #22 as a supporting feature. This initial Archie story also features Jughead and Betty.
MLJ Comics published Pep, the arena for its contribution to the superhero genre -- The Shield. Three publishing colleagues formed MLJ. They named the company after their initials -- Maurice Coyne, Louis Silberkleit, and John Goldwater complemented each other with their experience as an accountant, publisher, and reporter/editor respectively.
Artist Bob Montana gave the Archie universe its center. He drew upon his own experiences growing up in Haverhill, Massachusetts.
Bob Montana drew. Vic Bloom wrote. Harry Shorten edited.
Truth be told, though, Montana gave the Archie stories their heart, soul, and ultimate appeal.
In the retrospective book Archie: The First 50 Years, Charles Phillips credits Montana.
A rootless child who loved his high school years, Montana gave more than the statue of The Thinker, the hometown soda shop, and a number of his teenage pals to Riverdale. He gave the strip the emotional strength of his own nostalgia to create an idealized picture of teenage life that we all recognize but none of us quite lived.
Montana and the creative team behind Archie added new characters in the adventures of Riverdale’s red-headed Romeo. Waldo Weatherbee -- Riverdale High School’s beloved, bald, benign principal -- first appeared in Jackpot #5 (Spring 1942). The story contains the mainstay Archie elements of slapstick, Weatherbee’s rotund shape, and Archie’s penchant for getting in hot water with “the Bee.”
Jackpot #5 also introduces, albeit briefly, Reggie Mantle.
Pep #26 (April 1942) introduces rich girl Veronica Lodge and compares her to Egypt’s Cleopatra and Hollywood’s Hedy Lamarr. Although Pep #26 showcases Veronica’s first appearance, Archie #1 (Winter 1942) revisits the origin of Veronica in the story Prom Pranks.
Prom Pranks sets the foundation for a well-known Archie hallmark -- the Archie-Veronica-Betty love triangle.
Where familiar themes provide reliability, stability, and continuity, signs of the times reflect an ever-changing society. They continually challenge Archie writers to pace fads, norms, and popular culture.
In the 1950’s, Archie stories frequently paralleled benchmarks of the rock and roll decade -- hula hoops, sock hops, beatniks.
Celebrities, fictional and real, also enjoy depictions in Archie stories -- Elvis Presley, Fonzie, Tom Cruise.
Social conscience features prominently in one story from the 1970’s -- A Matter of Prejudice. The story sends a powerful message about the dangers of prejudging the views of others. When Veronica explains that some of Archie’s friends are not welcome at her party because they simply don’t fit in, Archie immediately thinks the reference points to Chuck Clayton, a black student at Riverdale High.
In fact, Veronica likes Chuck. She declares, He’s welcome at my house any time he pleases to come.
Jughead, on the other hand, needs to change his slovenly ways for the party. Chuck and Archie tell him that Veronica is prejudiced...against slobs!
Expanding into other media was inevitable for the Archieverse. It occurred almost from the beginning. Archie and the gang found success on a radio program in the 1940’s.
In the late 1960’s and throughout the 1970’s, Archie characters found success in Saturday morning animation.
In 1978, two live-action music and comedy specials on ABC featured the characters. Dennis Bowen plays Archie.
Riverdale High’s 15-year reunion served as the basis for the 1990 NBC tv-movie To Riverdale and Back. Archie returned to Riverdale, reunited with friends, and reignited passions for Betty and Veronica. This time, he’s in Riverdale to stay. But the choice between Veronica and Betty remains undecided.
Some things never change.
The best things never do.
(For an expanded article on Archie, click here.)
The Bad News Bears in Breaking Training
June 16, 2009
by David Krell
david@davidkrell.com
Summer means baseball.
It also means rainouts for baseball games.
When a rainout occurs, you can get your baseball fix with a baseball movie. For those of us who grew up in the 1970's, one movie in particular has just the right amount of fantasy, emotional depth, and baseball.
The Bad News Bears in Breaking Training.
Gentler than its predecessor (The Bad News Bears) and more compelling than its successor (The Bad News Bears Go To Japan), The Bad News Bears in Breaking Training gives the underdogs from the North Valley League in southern California a shot at the Houston Toros. The Toros players are bigger, stronger, and faster.
Where else could the climactic game take place but the Houston Astrodome, the post-modern Eighth Wonder of the World and a popular cultural touchstone?
With Tatum O'Neal and Walter Matthau absent as star pitcher Amanda and Coach Morris Buttermaker respectively, the Bears need a pitcher, a coach, and a way to get to Houston.
Except for Timmy Lupus. The Bears' worst player can't travel with the team because of health reasons -- he broke a leg while skateboarding.
Jimmy Baio plays Carmen Ronzonni, the replacement pitcher.
The Bears employ an almost mute maintenance worker to play the part of the coach. Bears star Kelly Leak teaches him to say some scripted bland sentences because he wants to convince the players' families that a coach will be chaperoning them. They gather at one of the players' homes for the sendoff.
As soon as the families leave, the Bears take a van to Houston with Kelly at the wheel. Jackie Earle Haley plays Kelly.
Along the way, they almost pick up a gorgeous hitchhiker, evade cops on the highway, and motor to a catchy 1970's song called Looking Good, lyrics by Norman Gimbel, music by Craig Safan, sung by James Rolleston.
A subplot reveals itself when Kelly confronts his long-absent father, factory worker Michael Leak. William Devane plays Michael Leak.
Tanner Boyle, the Bears' loudmouth shortstop, writes to Lupus a.k.a. Looper that nobody knew Kelly had a father.
However, earlier in the movie, we learn that Carmen may have prior knowledge of Kelly's secret. The Bears know that Kelly knows a guy in Houston. After one of them inquires further, Carmen says that it's just some guy that Kelly knows. One can infer that Carmen's vagueness is merely a cover for Kelly.
Initially, for appearances sake, Michael agrees to be a figurehead coach. His status soon changes because the Bears realize he can actually help them in their game against the Toros.
The already strained relationship between Kelly and Michael continues to fracture during a tense moment in a practice where father eclipses son as the team leader.
Right before the game at the Astrodome, Tanner gives a locker room speech mirroring the climactic Win One For the Gipper speech in Knute Rockne, All-American. Tanner saw the movie on late night television while the rest of the team slept, except for Kelly who watched the scene quietly in the background.
Tanner's Win One for the Looper speech motivates the Bears.
The four-inning game between the Toros and Bears takes place between the games of a doubleheader at the Astrodome.
Only one problem. The powers that be call the game on account of time.
Real-life Houston Astros Bob Watson and Cesar Cedeno appear in the Bears' dugout and Watson says, Come on, let the kids play!
Inspired, Michael Leak takes the field and shouts, Let them play! Let them play! Soon, Kelly, the rest of the Bears, and the entire Astrodome join the chant. Meanwhile, Tanner refuses to leave the field and continues to evade the two suited gentleman trying to capture him.
Caving into massive crowd pressure, the powers that be resume the game.
Carmen Ronzonni hits an inside the park grand slam to win the game.
Michael and Kelly repair their relationship after the game.
And the Bears have Japan in their sights for their last adventure in the little league trilogy.
The television connections are highly significant in The Bad News Bears in Breaking Training.
William Devane played Greg Sumner for several seasons of the CBS nighttime soap opera Knots Landing.
Pat Corley plays the coach of the Houston Toros. He also played Phil, the favorite bar owner and bartender for the gang from the fictional television news program FYI on Murphy Brown.
Lane Smith plays a sheriff in Breaking Training. He also played The Daily Planet editor Perry White in the 1990's yuppie version of Superman -- Lois and Clark starring Dean Cain and Teri Hatcher.
CBS aired a short-lived comedy based on the movies. The Bad News Bears starred Jack Warden as Coach Buttermaker.
david@davidkrell.com
Summer means baseball.
It also means rainouts for baseball games.
When a rainout occurs, you can get your baseball fix with a baseball movie. For those of us who grew up in the 1970's, one movie in particular has just the right amount of fantasy, emotional depth, and baseball.
The Bad News Bears in Breaking Training.
Gentler than its predecessor (The Bad News Bears) and more compelling than its successor (The Bad News Bears Go To Japan), The Bad News Bears in Breaking Training gives the underdogs from the North Valley League in southern California a shot at the Houston Toros. The Toros players are bigger, stronger, and faster.
Where else could the climactic game take place but the Houston Astrodome, the post-modern Eighth Wonder of the World and a popular cultural touchstone?
With Tatum O'Neal and Walter Matthau absent as star pitcher Amanda and Coach Morris Buttermaker respectively, the Bears need a pitcher, a coach, and a way to get to Houston.
Except for Timmy Lupus. The Bears' worst player can't travel with the team because of health reasons -- he broke a leg while skateboarding.
Jimmy Baio plays Carmen Ronzonni, the replacement pitcher.
The Bears employ an almost mute maintenance worker to play the part of the coach. Bears star Kelly Leak teaches him to say some scripted bland sentences because he wants to convince the players' families that a coach will be chaperoning them. They gather at one of the players' homes for the sendoff.
As soon as the families leave, the Bears take a van to Houston with Kelly at the wheel. Jackie Earle Haley plays Kelly.
Along the way, they almost pick up a gorgeous hitchhiker, evade cops on the highway, and motor to a catchy 1970's song called Looking Good, lyrics by Norman Gimbel, music by Craig Safan, sung by James Rolleston.
A subplot reveals itself when Kelly confronts his long-absent father, factory worker Michael Leak. William Devane plays Michael Leak.
Tanner Boyle, the Bears' loudmouth shortstop, writes to Lupus a.k.a. Looper that nobody knew Kelly had a father.
However, earlier in the movie, we learn that Carmen may have prior knowledge of Kelly's secret. The Bears know that Kelly knows a guy in Houston. After one of them inquires further, Carmen says that it's just some guy that Kelly knows. One can infer that Carmen's vagueness is merely a cover for Kelly.
Initially, for appearances sake, Michael agrees to be a figurehead coach. His status soon changes because the Bears realize he can actually help them in their game against the Toros.
The already strained relationship between Kelly and Michael continues to fracture during a tense moment in a practice where father eclipses son as the team leader.
Right before the game at the Astrodome, Tanner gives a locker room speech mirroring the climactic Win One For the Gipper speech in Knute Rockne, All-American. Tanner saw the movie on late night television while the rest of the team slept, except for Kelly who watched the scene quietly in the background.
Tanner's Win One for the Looper speech motivates the Bears.
The four-inning game between the Toros and Bears takes place between the games of a doubleheader at the Astrodome.
Only one problem. The powers that be call the game on account of time.
Real-life Houston Astros Bob Watson and Cesar Cedeno appear in the Bears' dugout and Watson says, Come on, let the kids play!
Inspired, Michael Leak takes the field and shouts, Let them play! Let them play! Soon, Kelly, the rest of the Bears, and the entire Astrodome join the chant. Meanwhile, Tanner refuses to leave the field and continues to evade the two suited gentleman trying to capture him.
Caving into massive crowd pressure, the powers that be resume the game.
Carmen Ronzonni hits an inside the park grand slam to win the game.
Michael and Kelly repair their relationship after the game.
And the Bears have Japan in their sights for their last adventure in the little league trilogy.
The television connections are highly significant in The Bad News Bears in Breaking Training.
William Devane played Greg Sumner for several seasons of the CBS nighttime soap opera Knots Landing.
Pat Corley plays the coach of the Houston Toros. He also played Phil, the favorite bar owner and bartender for the gang from the fictional television news program FYI on Murphy Brown.
Lane Smith plays a sheriff in Breaking Training. He also played The Daily Planet editor Perry White in the 1990's yuppie version of Superman -- Lois and Clark starring Dean Cain and Teri Hatcher.
CBS aired a short-lived comedy based on the movies. The Bad News Bears starred Jack Warden as Coach Buttermaker.
Hollywoodland
April 16, 2009
by David Krell
david@davidkrell.com
One of the great Hollywood tragedies is George Reeves committing suicide. Or did he?
The movie Hollywoodland mixes fact with speculation about television’s Superman taking his own life in the home he shared with Leonore Lemmon.
Adrien Brody stars as fictional cop-turned-private detective Louis Simo, a streetwise investigator hired by Reeves’ mother after the star’s death. She doesn’t believe her son would kill himself.
Simo mixes detective work with media pressure, making sure to stage photo opportunities with Reeves’ mother, hoping that media attention will keep the heat on the LAPD to further investigate the case.
Through flashbacks we learn about Reeves’ relationship with an older woman, Toni Mannix, wife of MGM studio executive Eddie Mannix, one of the most powerful men in Hollywood.
We learn of the massive popularity Reeves enjoyed as the iconic superhero. He became one of television’s first superstars in the medium’s infancy.
And we learn of the controversy surrounding June 16, 1959, the date of Reeves death.
Hollywoodland is a relatively low-key movie with high-powered talent. In addition to Academy Award winner Adrien Brody as Louis Simo, Diane Lane plays Toni Mannix and Ben Affleck plays George Reeves.
Rounding out the cast are Bob Hoskins as Eddie Mannix, Robin Tunney as Leonore Lemmon, Joe Spano as Mannix’ right-hand man, studio publicity genius Howard Strickling, and Jeffrey DeMunn as Reeves’ quiet manager, Art Weissman.
The movie shows Toni Mannix feeling depressed, dejected, and despondent after George Reeves leaves her for Leonore Lemmon.
Did she turn to her husband for revenge, a man with considerable power, connections, and savvy?
Was Reeves’ death triggered by the last act of a woman desperate for attention, affection, and revenge?
Or did Reeves actually shoot himself?
We may never know for sure. But we do know three things.
First, Reeves’ death created a terrific void in the hearts of children.
Second, it began a relatively dormant period for the exploitation of Superman until the first of four movies starring Christopher Reeve debuted in 1978, thereby reigniting a massive interest in the Man of Steel.
Third, it gave conspiracy theorists another story about which to exchange insights, theories, and speculations.
Perhaps we will never know for certain what happened in that small Benedict Canyon house on a late spring night.
Hollywoodland adds another entry to the rich history of Hollywood mysteries.
Superman buffs, conspiracy theorists, and Hollywood mystery fans may want to check out the book Hollywood Kryptonite. It fleshes out the romance between Toni Mannix and George Reeves, the history of the Superman television show, and the speculation that Reeves died at the hands of a hired hit man.
Hollywoodland. A movie about the town, the entertainment industry, and a mystery that people are still debating, deconstructing, and debunking fifty years later.
david@davidkrell.com
One of the great Hollywood tragedies is George Reeves committing suicide. Or did he?
The movie Hollywoodland mixes fact with speculation about television’s Superman taking his own life in the home he shared with Leonore Lemmon.
Adrien Brody stars as fictional cop-turned-private detective Louis Simo, a streetwise investigator hired by Reeves’ mother after the star’s death. She doesn’t believe her son would kill himself.
Simo mixes detective work with media pressure, making sure to stage photo opportunities with Reeves’ mother, hoping that media attention will keep the heat on the LAPD to further investigate the case.
Through flashbacks we learn about Reeves’ relationship with an older woman, Toni Mannix, wife of MGM studio executive Eddie Mannix, one of the most powerful men in Hollywood.
We learn of the massive popularity Reeves enjoyed as the iconic superhero. He became one of television’s first superstars in the medium’s infancy.
And we learn of the controversy surrounding June 16, 1959, the date of Reeves death.
Hollywoodland is a relatively low-key movie with high-powered talent. In addition to Academy Award winner Adrien Brody as Louis Simo, Diane Lane plays Toni Mannix and Ben Affleck plays George Reeves.
Rounding out the cast are Bob Hoskins as Eddie Mannix, Robin Tunney as Leonore Lemmon, Joe Spano as Mannix’ right-hand man, studio publicity genius Howard Strickling, and Jeffrey DeMunn as Reeves’ quiet manager, Art Weissman.
The movie shows Toni Mannix feeling depressed, dejected, and despondent after George Reeves leaves her for Leonore Lemmon.
Did she turn to her husband for revenge, a man with considerable power, connections, and savvy?
Was Reeves’ death triggered by the last act of a woman desperate for attention, affection, and revenge?
Or did Reeves actually shoot himself?
We may never know for sure. But we do know three things.
First, Reeves’ death created a terrific void in the hearts of children.
Second, it began a relatively dormant period for the exploitation of Superman until the first of four movies starring Christopher Reeve debuted in 1978, thereby reigniting a massive interest in the Man of Steel.
Third, it gave conspiracy theorists another story about which to exchange insights, theories, and speculations.
Perhaps we will never know for certain what happened in that small Benedict Canyon house on a late spring night.
Hollywoodland adds another entry to the rich history of Hollywood mysteries.
Superman buffs, conspiracy theorists, and Hollywood mystery fans may want to check out the book Hollywood Kryptonite. It fleshes out the romance between Toni Mannix and George Reeves, the history of the Superman television show, and the speculation that Reeves died at the hands of a hired hit man.
Hollywoodland. A movie about the town, the entertainment industry, and a mystery that people are still debating, deconstructing, and debunking fifty years later.