Walter Matthau
A Face in the Crowd
April 05, 2010
by David Krell
david@davidkrell.com
A Face in the Crowd is a 1957 film about corruption rooted in ego, power, and fame. Budd Schulberg wrote the screenplay based on his short story The Arkansas Traveler.
Andy Griffith stars as Larry “Lonesome” Rhodes, a southern storyteller and singer with an abundance of charm.
Griffith’s portrayal reveals his deep acting talent. Lonesome Rhodes is an upside down and backwards version of Griffith’s iconic character, Sheriff Andy Taylor.
Marcia Jeffries discovers Rhodes and soon helps catapult him to stardom. Patricia Neal plays Jeffries.
Rhodes is also helped by Mel Miller, an intellectual writer. Walter Matthau plays Miller.
Anthony Franciosa plays an agent who puts Rhodes on national television.
While charming in public, Rhodes is egocentric to the point of being abusive in private.
He advises a presidential candidate on communications and image but his comments in private belie his true condescending feelings about the candidate.
Jeffries cannot help but fall in love with the star she helped create. But she feels betrayed because he is not divorced from his first wife and he marries a teenage baton twirler played by Lee Remick.
Jeffries brings down the Frankenstein monster that she nurtured, inspired, and built.
During a live television performance when Rhodes thinks the broadcast has ended, Jeffries keeps the microphones live so the national television audience can hear Rhodes’ caustic comments about the audience. Now revealed as an egomaniac with no respect for his fans, Rhodes faces an incredible plunge in popularity.
He breaks down at his apartment and pleads for Jeffries’ help. Miller tells her that Rhodes will never have the acclaim or fame that he once enjoyed but his career may be somewhat salvageable.
Nevertheless, despite the shouts and pleas from Rhodes, Jeffries leaves with Miller and leaves the audience wondering what ever became of Lonesome Rhodes.
david@davidkrell.com
A Face in the Crowd is a 1957 film about corruption rooted in ego, power, and fame. Budd Schulberg wrote the screenplay based on his short story The Arkansas Traveler.
Andy Griffith stars as Larry “Lonesome” Rhodes, a southern storyteller and singer with an abundance of charm.
Griffith’s portrayal reveals his deep acting talent. Lonesome Rhodes is an upside down and backwards version of Griffith’s iconic character, Sheriff Andy Taylor.
Marcia Jeffries discovers Rhodes and soon helps catapult him to stardom. Patricia Neal plays Jeffries.
Rhodes is also helped by Mel Miller, an intellectual writer. Walter Matthau plays Miller.
Anthony Franciosa plays an agent who puts Rhodes on national television.
While charming in public, Rhodes is egocentric to the point of being abusive in private.
He advises a presidential candidate on communications and image but his comments in private belie his true condescending feelings about the candidate.
Jeffries cannot help but fall in love with the star she helped create. But she feels betrayed because he is not divorced from his first wife and he marries a teenage baton twirler played by Lee Remick.
Jeffries brings down the Frankenstein monster that she nurtured, inspired, and built.
During a live television performance when Rhodes thinks the broadcast has ended, Jeffries keeps the microphones live so the national television audience can hear Rhodes’ caustic comments about the audience. Now revealed as an egomaniac with no respect for his fans, Rhodes faces an incredible plunge in popularity.
He breaks down at his apartment and pleads for Jeffries’ help. Miller tells her that Rhodes will never have the acclaim or fame that he once enjoyed but his career may be somewhat salvageable.
Nevertheless, despite the shouts and pleas from Rhodes, Jeffries leaves with Miller and leaves the audience wondering what ever became of Lonesome Rhodes.
Harry Morgan
November 21, 2009
by David Krell
david@davidkrell.com
Before he was Colonel Potter on M*A*S*H, Harry Morgan was one of Hollywood’s cornerstone character actors. He shared the silver screen with legends.
Inherit the Wind with Spencer Tracy and Fredric March.
High Noon with Gary Cooper and Grace Kelly.
The Glenn Miller Story with Jimmy Stewart and June Allyson.
The Shootist with John Wayne.
Frankie and Johnny with Elvis Presley.
Support Your Local Sheriff with James Garner.
Dragnet with Tom Hanks and Dan Aykroyd. In Dragnet, Morgan reprises his role of Bill Gannon from the television series of the same name in the late 1960’s and early 1970’s. Gannon has climbed the ranks to become a police captain.
Morgan played Pete Porter in the television series December Bride and its spinoff -- Pete & Gladys. He also played Judge Bell in the trio of 1990’s Incident tv-movies starring Walter Matthau -- The Incident, Against Her Will: An Incident in Baltimore, Incident in a Small Town.
But Harry Morgan’s role of the authoritative, compassionate, and wise Colonel Potter on M*A*S*H is likely the role most identified with Morgan. Potter is Morgan’s signature character.
Morgan had big shoes to fill. When M*A*S*H producers killed off Colonel Henry Blake in the spring of 1975, the creative decision sparked shock, dismay, and even outrage. Who ever heard of a show killing a major, beloved, and valuable character? Blake’s death offered no chance for a spinoff, return appearance, or revival.
While McLean Stevenson’s popularity soared as the affable, bumbling, and concerned Colonel Blake who was also one of the guys, Harry Morgan won the respect of fans by playing Colonel Potter with dignity, understanding, and a voice of experience.
Potter led Hawkeye, B.J. and the rest of the M*A*S*H 4077th, but he never talked down to them. He was a Regular Army style solider but he ignored the rules and regulations if they interfered with treating wounded soldiers.
Potter was a combat veteran who became a doctor. But he never forgot the courage of soldiers in the field.
In a vicious ocean of injury, violence, and death, Morgan’s Colonel Potter was the calm oasis of experience, wisdom, and compassion.
Harry Morgan actually made a pre-Potter appearance on M*A*S*H. In the third season premiere -- The General Flipped At Dawn -- he plays General Steele, a half-crazed general. Morgan received an Emmy nomination for his guest appearance in this episode that kicked off the 1975-76 season.
For his role as Colonel Potter, Morgan received eight nominations for Best Supporting Actor. He won once. He also received an Emmy nomination for Best Director.
Harry Morgan continued playing Colonel Potter in the sequel After M*A*S*H. The show is set in a stateside Veterans Administration hospital in Missouri. Jamie Farr and William Christopher joined Morgan to continue their roles as Max Klinger and Father Mulcahy respectively.
After After M*A*S*H, Morgan mostly enjoyed guest appearances on television shows -- The Jeff Foxworthy Show, Grace Under Fire, Third Rock from the Sun, and The Simpsons.
On The Simpsons, Morgan once again reprised his role of Bill Gannon.
david@davidkrell.com
Before he was Colonel Potter on M*A*S*H, Harry Morgan was one of Hollywood’s cornerstone character actors. He shared the silver screen with legends.
Inherit the Wind with Spencer Tracy and Fredric March.
High Noon with Gary Cooper and Grace Kelly.
The Glenn Miller Story with Jimmy Stewart and June Allyson.
The Shootist with John Wayne.
Frankie and Johnny with Elvis Presley.
Support Your Local Sheriff with James Garner.
Dragnet with Tom Hanks and Dan Aykroyd. In Dragnet, Morgan reprises his role of Bill Gannon from the television series of the same name in the late 1960’s and early 1970’s. Gannon has climbed the ranks to become a police captain.
Morgan played Pete Porter in the television series December Bride and its spinoff -- Pete & Gladys. He also played Judge Bell in the trio of 1990’s Incident tv-movies starring Walter Matthau -- The Incident, Against Her Will: An Incident in Baltimore, Incident in a Small Town.
But Harry Morgan’s role of the authoritative, compassionate, and wise Colonel Potter on M*A*S*H is likely the role most identified with Morgan. Potter is Morgan’s signature character.
Morgan had big shoes to fill. When M*A*S*H producers killed off Colonel Henry Blake in the spring of 1975, the creative decision sparked shock, dismay, and even outrage. Who ever heard of a show killing a major, beloved, and valuable character? Blake’s death offered no chance for a spinoff, return appearance, or revival.
While McLean Stevenson’s popularity soared as the affable, bumbling, and concerned Colonel Blake who was also one of the guys, Harry Morgan won the respect of fans by playing Colonel Potter with dignity, understanding, and a voice of experience.
Potter led Hawkeye, B.J. and the rest of the M*A*S*H 4077th, but he never talked down to them. He was a Regular Army style solider but he ignored the rules and regulations if they interfered with treating wounded soldiers.
Potter was a combat veteran who became a doctor. But he never forgot the courage of soldiers in the field.
In a vicious ocean of injury, violence, and death, Morgan’s Colonel Potter was the calm oasis of experience, wisdom, and compassion.
Harry Morgan actually made a pre-Potter appearance on M*A*S*H. In the third season premiere -- The General Flipped At Dawn -- he plays General Steele, a half-crazed general. Morgan received an Emmy nomination for his guest appearance in this episode that kicked off the 1975-76 season.
For his role as Colonel Potter, Morgan received eight nominations for Best Supporting Actor. He won once. He also received an Emmy nomination for Best Director.
Harry Morgan continued playing Colonel Potter in the sequel After M*A*S*H. The show is set in a stateside Veterans Administration hospital in Missouri. Jamie Farr and William Christopher joined Morgan to continue their roles as Max Klinger and Father Mulcahy respectively.
After After M*A*S*H, Morgan mostly enjoyed guest appearances on television shows -- The Jeff Foxworthy Show, Grace Under Fire, Third Rock from the Sun, and The Simpsons.
On The Simpsons, Morgan once again reprised his role of Bill Gannon.
The Taking of Pelham 123
October 13, 2009
by David Krell
david@davidkrell.com
The remake of The Taking of Pelham 123 opened in theaters this past summer. The film stars three actors who got their big breaks on the small screen.
Denzel Washington.
In Pelham, Washington plays Walter Garber, a New York City civil servant who becomes the link of communication to hostage takers on a subway train.
Washington was part of the terrific ensemble cast of St. Elsewhere. In this 1980’s NBC drama set in a Boston hospital, Washington plays the Yale-educated Dr. Phillip Chandler.
His breakthrough movie was Glory, a 1989 film set during the Civil War. Washington earned on Oscar for Best Supporting Actor.
John Travolta.
In Pelham, Travolta plays Ryder, the leader of the hostage takers.
Travolta exploded onto America’s consciousness as dim-witted, girl-crazy, and self-involved high school student Vinnie Barbarino in Welcome Back, Kotter.
Kotter premiered in 1975. In the space of three years, Travolta’s career became hotter than a supernova. On the silver screen, he starred in 1977’s Saturday Night Fever and 1978’s Grease.
For the most part, notoriety subsided during the 1980’s. Travolta signaled his comeback in Quentin Tarantino’s Pulp Fiction in 1994.
James Gandolfini.
In Pelham, Gandolfini plays the Mayor of New York City. If managed properly, the hostage crisis can be good for the politics business. Or very bad.
After highly significant roles on Broadway and supporting roles in films, Gandolfini got the role for which he will forever be identified.
Henry Winkler has Fonzie.
Alan Alda has Hawkeye.
And James Gandolfini has Tony Soprano, the main character in The Sopranos.
Gandolfini’s emotions as the New Jersey mafia don range from the tender to the explosive. He reveals a touching side when talking about or interacting with animals, like his racehorse, Pie-Oh-My.
There is a flip side. Disloyalty, betrayal, and disrespect trigger rage, violence, and an underlying fear of a weakened position in the Soprano mob family.
In 1973, Morton Freedgood wrote the novel The Taking of Pelham 123 under the pseudonym John Godey.
A year later, the story hit the big screen for the first time with Walter Matthau as Garber, Robert Shaw as Ryder, and Lee Wallace as the mayor.
The film accurately captures the aura of violence, fear, and despair surrounding New York City in the 1970’s. Riots. Crime. Financial turmoil. They all contributed to the pressure.
The feeling permeates the film. Walter Matthau’s Garber is in the middle -- a civil servant trying to do his job. On this particular day, it is an ordinary job under extraordinary circumstances. Matthau perfectly fits the role of the rumpled Garber.
The ending of this version of Pelham is an excellent example of a setup and payoff. Something occurs early in the story that recurs at the end.
Hector Elizondo and Earl Hindman play two of the hostage takers. Elizondo later starred in Chicago Hope and played supporting roles in a deep roster of films that include The Flamingo Kid, The Princess Diaries, and Pretty Woman.
Hindman’s face is not recognizable from his signature role -- Wilson, the neighbor on Home Improvement. The running gag on the show was the hiding of Wilson’s face behind the backyard fence and other objects.
Jerry Stiller plays a policeman working with Matthau. Maybe the hostage crisis was a source of sorts for Frank Costanza’s anger.
david@davidkrell.com
The remake of The Taking of Pelham 123 opened in theaters this past summer. The film stars three actors who got their big breaks on the small screen.
Denzel Washington.
In Pelham, Washington plays Walter Garber, a New York City civil servant who becomes the link of communication to hostage takers on a subway train.
Washington was part of the terrific ensemble cast of St. Elsewhere. In this 1980’s NBC drama set in a Boston hospital, Washington plays the Yale-educated Dr. Phillip Chandler.
His breakthrough movie was Glory, a 1989 film set during the Civil War. Washington earned on Oscar for Best Supporting Actor.
John Travolta.
In Pelham, Travolta plays Ryder, the leader of the hostage takers.
Travolta exploded onto America’s consciousness as dim-witted, girl-crazy, and self-involved high school student Vinnie Barbarino in Welcome Back, Kotter.
Kotter premiered in 1975. In the space of three years, Travolta’s career became hotter than a supernova. On the silver screen, he starred in 1977’s Saturday Night Fever and 1978’s Grease.
For the most part, notoriety subsided during the 1980’s. Travolta signaled his comeback in Quentin Tarantino’s Pulp Fiction in 1994.
James Gandolfini.
In Pelham, Gandolfini plays the Mayor of New York City. If managed properly, the hostage crisis can be good for the politics business. Or very bad.
After highly significant roles on Broadway and supporting roles in films, Gandolfini got the role for which he will forever be identified.
Henry Winkler has Fonzie.
Alan Alda has Hawkeye.
And James Gandolfini has Tony Soprano, the main character in The Sopranos.
Gandolfini’s emotions as the New Jersey mafia don range from the tender to the explosive. He reveals a touching side when talking about or interacting with animals, like his racehorse, Pie-Oh-My.
There is a flip side. Disloyalty, betrayal, and disrespect trigger rage, violence, and an underlying fear of a weakened position in the Soprano mob family.
In 1973, Morton Freedgood wrote the novel The Taking of Pelham 123 under the pseudonym John Godey.
A year later, the story hit the big screen for the first time with Walter Matthau as Garber, Robert Shaw as Ryder, and Lee Wallace as the mayor.
The film accurately captures the aura of violence, fear, and despair surrounding New York City in the 1970’s. Riots. Crime. Financial turmoil. They all contributed to the pressure.
The feeling permeates the film. Walter Matthau’s Garber is in the middle -- a civil servant trying to do his job. On this particular day, it is an ordinary job under extraordinary circumstances. Matthau perfectly fits the role of the rumpled Garber.
The ending of this version of Pelham is an excellent example of a setup and payoff. Something occurs early in the story that recurs at the end.
Hector Elizondo and Earl Hindman play two of the hostage takers. Elizondo later starred in Chicago Hope and played supporting roles in a deep roster of films that include The Flamingo Kid, The Princess Diaries, and Pretty Woman.
Hindman’s face is not recognizable from his signature role -- Wilson, the neighbor on Home Improvement. The running gag on the show was the hiding of Wilson’s face behind the backyard fence and other objects.
Jerry Stiller plays a policeman working with Matthau. Maybe the hostage crisis was a source of sorts for Frank Costanza’s anger.
The Bad News Bears in Breaking Training
June 16, 2009
by David Krell
david@davidkrell.com
Summer means baseball.
It also means rainouts for baseball games.
When a rainout occurs, you can get your baseball fix with a baseball movie. For those of us who grew up in the 1970's, one movie in particular has just the right amount of fantasy, emotional depth, and baseball.
The Bad News Bears in Breaking Training.
Gentler than its predecessor (The Bad News Bears) and more compelling than its successor (The Bad News Bears Go To Japan), The Bad News Bears in Breaking Training gives the underdogs from the North Valley League in southern California a shot at the Houston Toros. The Toros players are bigger, stronger, and faster.
Where else could the climactic game take place but the Houston Astrodome, the post-modern Eighth Wonder of the World and a popular cultural touchstone?
With Tatum O'Neal and Walter Matthau absent as star pitcher Amanda and Coach Morris Buttermaker respectively, the Bears need a pitcher, a coach, and a way to get to Houston.
Except for Timmy Lupus. The Bears' worst player can't travel with the team because of health reasons -- he broke a leg while skateboarding.
Jimmy Baio plays Carmen Ronzonni, the replacement pitcher.
The Bears employ an almost mute maintenance worker to play the part of the coach. Bears star Kelly Leak teaches him to say some scripted bland sentences because he wants to convince the players' families that a coach will be chaperoning them. They gather at one of the players' homes for the sendoff.
As soon as the families leave, the Bears take a van to Houston with Kelly at the wheel. Jackie Earle Haley plays Kelly.
Along the way, they almost pick up a gorgeous hitchhiker, evade cops on the highway, and motor to a catchy 1970's song called Looking Good, lyrics by Norman Gimbel, music by Craig Safan, sung by James Rolleston.
A subplot reveals itself when Kelly confronts his long-absent father, factory worker Michael Leak. William Devane plays Michael Leak.
Tanner Boyle, the Bears' loudmouth shortstop, writes to Lupus a.k.a. Looper that nobody knew Kelly had a father.
However, earlier in the movie, we learn that Carmen may have prior knowledge of Kelly's secret. The Bears know that Kelly knows a guy in Houston. After one of them inquires further, Carmen says that it's just some guy that Kelly knows. One can infer that Carmen's vagueness is merely a cover for Kelly.
Initially, for appearances sake, Michael agrees to be a figurehead coach. His status soon changes because the Bears realize he can actually help them in their game against the Toros.
The already strained relationship between Kelly and Michael continues to fracture during a tense moment in a practice where father eclipses son as the team leader.
Right before the game at the Astrodome, Tanner gives a locker room speech mirroring the climactic Win One For the Gipper speech in Knute Rockne, All-American. Tanner saw the movie on late night television while the rest of the team slept, except for Kelly who watched the scene quietly in the background.
Tanner's Win One for the Looper speech motivates the Bears.
The four-inning game between the Toros and Bears takes place between the games of a doubleheader at the Astrodome.
Only one problem. The powers that be call the game on account of time.
Real-life Houston Astros Bob Watson and Cesar Cedeno appear in the Bears' dugout and Watson says, Come on, let the kids play!
Inspired, Michael Leak takes the field and shouts, Let them play! Let them play! Soon, Kelly, the rest of the Bears, and the entire Astrodome join the chant. Meanwhile, Tanner refuses to leave the field and continues to evade the two suited gentleman trying to capture him.
Caving into massive crowd pressure, the powers that be resume the game.
Carmen Ronzonni hits an inside the park grand slam to win the game.
Michael and Kelly repair their relationship after the game.
And the Bears have Japan in their sights for their last adventure in the little league trilogy.
The television connections are highly significant in The Bad News Bears in Breaking Training.
William Devane played Greg Sumner for several seasons of the CBS nighttime soap opera Knots Landing.
Pat Corley plays the coach of the Houston Toros. He also played Phil, the favorite bar owner and bartender for the gang from the fictional television news program FYI on Murphy Brown.
Lane Smith plays a sheriff in Breaking Training. He also played The Daily Planet editor Perry White in the 1990's yuppie version of Superman -- Lois and Clark starring Dean Cain and Teri Hatcher.
CBS aired a short-lived comedy based on the movies. The Bad News Bears starred Jack Warden as Coach Buttermaker.
david@davidkrell.com
Summer means baseball.
It also means rainouts for baseball games.
When a rainout occurs, you can get your baseball fix with a baseball movie. For those of us who grew up in the 1970's, one movie in particular has just the right amount of fantasy, emotional depth, and baseball.
The Bad News Bears in Breaking Training.
Gentler than its predecessor (The Bad News Bears) and more compelling than its successor (The Bad News Bears Go To Japan), The Bad News Bears in Breaking Training gives the underdogs from the North Valley League in southern California a shot at the Houston Toros. The Toros players are bigger, stronger, and faster.
Where else could the climactic game take place but the Houston Astrodome, the post-modern Eighth Wonder of the World and a popular cultural touchstone?
With Tatum O'Neal and Walter Matthau absent as star pitcher Amanda and Coach Morris Buttermaker respectively, the Bears need a pitcher, a coach, and a way to get to Houston.
Except for Timmy Lupus. The Bears' worst player can't travel with the team because of health reasons -- he broke a leg while skateboarding.
Jimmy Baio plays Carmen Ronzonni, the replacement pitcher.
The Bears employ an almost mute maintenance worker to play the part of the coach. Bears star Kelly Leak teaches him to say some scripted bland sentences because he wants to convince the players' families that a coach will be chaperoning them. They gather at one of the players' homes for the sendoff.
As soon as the families leave, the Bears take a van to Houston with Kelly at the wheel. Jackie Earle Haley plays Kelly.
Along the way, they almost pick up a gorgeous hitchhiker, evade cops on the highway, and motor to a catchy 1970's song called Looking Good, lyrics by Norman Gimbel, music by Craig Safan, sung by James Rolleston.
A subplot reveals itself when Kelly confronts his long-absent father, factory worker Michael Leak. William Devane plays Michael Leak.
Tanner Boyle, the Bears' loudmouth shortstop, writes to Lupus a.k.a. Looper that nobody knew Kelly had a father.
However, earlier in the movie, we learn that Carmen may have prior knowledge of Kelly's secret. The Bears know that Kelly knows a guy in Houston. After one of them inquires further, Carmen says that it's just some guy that Kelly knows. One can infer that Carmen's vagueness is merely a cover for Kelly.
Initially, for appearances sake, Michael agrees to be a figurehead coach. His status soon changes because the Bears realize he can actually help them in their game against the Toros.
The already strained relationship between Kelly and Michael continues to fracture during a tense moment in a practice where father eclipses son as the team leader.
Right before the game at the Astrodome, Tanner gives a locker room speech mirroring the climactic Win One For the Gipper speech in Knute Rockne, All-American. Tanner saw the movie on late night television while the rest of the team slept, except for Kelly who watched the scene quietly in the background.
Tanner's Win One for the Looper speech motivates the Bears.
The four-inning game between the Toros and Bears takes place between the games of a doubleheader at the Astrodome.
Only one problem. The powers that be call the game on account of time.
Real-life Houston Astros Bob Watson and Cesar Cedeno appear in the Bears' dugout and Watson says, Come on, let the kids play!
Inspired, Michael Leak takes the field and shouts, Let them play! Let them play! Soon, Kelly, the rest of the Bears, and the entire Astrodome join the chant. Meanwhile, Tanner refuses to leave the field and continues to evade the two suited gentleman trying to capture him.
Caving into massive crowd pressure, the powers that be resume the game.
Carmen Ronzonni hits an inside the park grand slam to win the game.
Michael and Kelly repair their relationship after the game.
And the Bears have Japan in their sights for their last adventure in the little league trilogy.
The television connections are highly significant in The Bad News Bears in Breaking Training.
William Devane played Greg Sumner for several seasons of the CBS nighttime soap opera Knots Landing.
Pat Corley plays the coach of the Houston Toros. He also played Phil, the favorite bar owner and bartender for the gang from the fictional television news program FYI on Murphy Brown.
Lane Smith plays a sheriff in Breaking Training. He also played The Daily Planet editor Perry White in the 1990's yuppie version of Superman -- Lois and Clark starring Dean Cain and Teri Hatcher.
CBS aired a short-lived comedy based on the movies. The Bad News Bears starred Jack Warden as Coach Buttermaker.